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<channel>
	<title>Felix Luque Sanchez</title>
	<link>https://felixluque.com</link>
	<description>Felix Luque Sanchez</description>
	<pubDate>Fri, 27 Mar 2026 10:18:17 +0000</pubDate>
	<generator>https://felixluque.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Slideshow</title>
				
		<link>https://felixluque.com/Slideshow</link>

		<pubDate>Thu, 04 Feb 2021 10:44:22 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

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		<description>
	FELIX LUQUE SANCHEZ 

	&#38;nbsp; &#38;nbsp; &#38;nbsp;WORKS&#38;nbsp; &#38;nbsp; EXHIBITION VIEWS&#38;nbsp; &#38;nbsp; ABOUT&#38;nbsp;

	</description>
		
	</item>
		
		
	<item>
		<title>Exhibition_views</title>
				
		<link>https://felixluque.com/Exhibition_views</link>

		<pubDate>Thu, 04 Feb 2021 10:44:26 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

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		<description>
︎ Index
	
Exhibition viewsLa Société AutomatiqueLABoral 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/d7be5dc51a4e134338fc3ec305371170193dadcd284ca1bec32fe45d2c3fd1e2/LABoral2.jpg" data-mid="252550544" border="0"  src="https://freight.cargo.site/w/1000/i/d7be5dc51a4e134338fc3ec305371170193dadcd284ca1bec32fe45d2c3fd1e2/LABoral2.jpg" /&#62;
VirisimilitudMima 2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/4278c2a4f6dafa1aa86de6981dcf051786d50f34b6fc8850fc7775fa376c6f42/Verisimilitude.jpg" data-mid="252942418" border="0"  src="https://freight.cargo.site/w/1000/i/4278c2a4f6dafa1aa86de6981dcf051786d50f34b6fc8850fc7775fa376c6f42/Verisimilitude.jpg" /&#62;

D.W.IMACM 2014


&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6bcee37cf59a0320b23a51ad95b0818703508b7ec4d9bcc475bab3f7549aed55/2Vpendulo_menu-high-fidelity-v2-1600w.jpeg" data-mid="253205317" border="0"  src="https://freight.cargo.site/w/1000/i/6bcee37cf59a0320b23a51ad95b0818703508b7ec4d9bcc475bab3f7549aed55/2Vpendulo_menu-high-fidelity-v2-1600w.jpeg" /&#62;
Chapter ILABoral 2009 


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/2d9c199bb192b31c94ad16845c2e77c3fc3b836f60c7ec9e207f5c8b530dcfc9/CharpterI_Menu.jpg" data-mid="253205296" border="0"  src="https://freight.cargo.site/w/1000/i/2d9c199bb192b31c94ad16845c2e77c3fc3b836f60c7ec9e207f5c8b530dcfc9/CharpterI_Menu.jpg" /&#62;

	
La Société AutomatiqueiMAL 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/565373fdc0023455b2a37687f8a195e0e2312fa8a1d56f0be108dfc8341432f2/iMAL.jpg" data-mid="252548703" border="0"  src="https://freight.cargo.site/w/1000/i/565373fdc0023455b2a37687f8a195e0e2312fa8a1d56f0be108dfc8341432f2/iMAL.jpg" /&#62;

Memory LaneFundación Telefónica Lima 2018

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/c292305faf1598e4e6c2515b12a6a931e91864e8a6147713efe739351651cd37/ML.jpg" data-mid="252965403" border="0"  src="https://freight.cargo.site/w/1000/i/c292305faf1598e4e6c2515b12a6a931e91864e8a6147713efe739351651cd37/ML.jpg" /&#62;

Nihil Ex NihiloiMAL 2011

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/3352f4001348845d3c13345fe00b4300e0bf16a3eaa286b1ad5b57b1c4850bed/NEN_Menu.jpg" data-mid="253205308" border="0"  src="https://freight.cargo.site/w/1000/i/3352f4001348845d3c13345fe00b4300e0bf16a3eaa286b1ad5b57b1c4850bed/NEN_Menu.jpg" /&#62;
︎ Index</description>
		
	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://felixluque.com/Works</link>

		<pubDate>Thu, 04 Feb 2021 10:44:27 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Works</guid>

		<description>︎ Index
	La Société AutomatiqueAssembled in ChinaAI video sculpture2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/dd160786ca5c8aa343e3d3b4657e782ad04180768c10289929135a94dd26dec7/Plan-de-travail-1.jpg" data-mid="246656699" border="0"  src="https://freight.cargo.site/w/1000/i/dd160786ca5c8aa343e3d3b4657e782ad04180768c10289929135a94dd26dec7/Plan-de-travail-1.jpg" /&#62;

La Société Automatique
T-SlotMetal sculptures 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8888b5e237b5692a7fc104b2b0466b528d20d4f97524715985b37e8fef6d8119/2.jpg" data-mid="246594916" border="0"  src="https://freight.cargo.site/w/1000/i/8888b5e237b5692a7fc104b2b0466b528d20d4f97524715985b37e8fef6d8119/2.jpg" /&#62;
La Société Automatique
FloraAudiovisual installation 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8c3e4e00e7e2dd6d9f8439539b464156a468e2c53fe92575f10597025b7bb59e/6.jpg" data-mid="246594921" border="0"  src="https://freight.cargo.site/w/1000/i/8c3e4e00e7e2dd6d9f8439539b464156a468e2c53fe92575f10597025b7bb59e/6.jpg" /&#62;
La Société Automatique
Perpétuité IIInstallation&#38;nbsp;2023 - 2026

&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/a93e7d49653ed28a7178f994f6bd139e578aa5d062a02c7653d85c022029300b/Menu_PII.jpg" data-mid="167726919" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/a93e7d49653ed28a7178f994f6bd139e578aa5d062a02c7653d85c022029300b/Menu_PII.jpg" /&#62;Junkyard
Junkyard I&#38;nbsp;Point cloud Film2019 


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/9e0201f9ab944bd624eba1606729920191740cef988ecd1dfbe52260fb176af2/Plan-de-travail-1.jpg" data-mid="246594365" border="0"  src="https://freight.cargo.site/w/1000/i/9e0201f9ab944bd624eba1606729920191740cef988ecd1dfbe52260fb176af2/Plan-de-travail-1.jpg" /&#62;
Junkyard
Junkyard IIIShort film2019


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/28e1912c5e0112dd53d76b61374ba90ef4c429e35e8590701744f809473aacb2/Plan-de-travail-1.jpg" data-mid="246594398" border="0"  src="https://freight.cargo.site/w/1000/i/28e1912c5e0112dd53d76b61374ba90ef4c429e35e8590701744f809473aacb2/Plan-de-travail-1.jpg" /&#62;The Material Culture of Mobility
 LF Sound SystemSound sculpture2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/112cbc181d93abf3a7b140af689a417140ad747e9c71be35f57de35a443f5a43/10.jpg" data-mid="98591929" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/112cbc181d93abf3a7b140af689a417140ad747e9c71be35f57de35a443f5a43/10.jpg" /&#62;
The Material Culture of MobilityLos AngelesRubber sculpture&#38;nbsp;2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" data-mid="97760899" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" /&#62;
Memory LaneMechatronicInstallation2015


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/7da90781338bba060545b260d5c3bff02e30fa5f966ca5c8dd662c06fad36c0c/2VML_Menu1-high-fidelity-v2-1600w.jpeg" data-mid="246594546" border="0"  src="https://freight.cargo.site/w/1000/i/7da90781338bba060545b260d5c3bff02e30fa5f966ca5c8dd662c06fad36c0c/2VML_Menu1-high-fidelity-v2-1600w.jpeg" /&#62;Memory Lane
Bois MortLight &#38;amp; Sound sculpture2015

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/d8de42a19a82fea887850458f17085ff8bdc058df6b37d5fd429938f379d8dfb/2VBM_Menu1-high-fidelity-v2-1600w.jpeg" data-mid="246594542" border="0"  src="https://freight.cargo.site/w/1000/i/d8de42a19a82fea887850458f17085ff8bdc058df6b37d5fd429938f379d8dfb/2VBM_Menu1-high-fidelity-v2-1600w.jpeg" /&#62;
D.W.I 
Chaos&#38;nbsp;Synthetiser2013

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/1bf76e40f9c625249e769ba4850d513453404b60d9dbb5c785da8c7025068785/2VChaos_synth_Menu-high-fidelity-v2-1600w.jpeg" data-mid="246594543" border="0"  src="https://freight.cargo.site/w/1000/i/1bf76e40f9c625249e769ba4850d513453404b60d9dbb5c785da8c7025068785/2VChaos_synth_Menu-high-fidelity-v2-1600w.jpeg" /&#62;D.W.I 
Chaos&#38;nbsp;Digital prints2013

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/1f414bbaa5a2d4175eca3c51b586ebcbe489bad87e6f011ee4e977ad7393400f/2Vprint_menu-high-fidelity-v2-1600w.jpeg" data-mid="246594552" border="0"  src="https://freight.cargo.site/w/1000/i/1f414bbaa5a2d4175eca3c51b586ebcbe489bad87e6f011ee4e977ad7393400f/2Vprint_menu-high-fidelity-v2-1600w.jpeg" /&#62;
D.W.I 
ModularModular sculpture system2013

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/5a30e0de688bb28b91d04cfdd62c15d5d4c727a511e873dcbd9e4b095181b236/2Vmodular_menu-high-fidelity-v2-1600w.jpeg" data-mid="246594548" border="0"  src="https://freight.cargo.site/w/1000/i/5a30e0de688bb28b91d04cfdd62c15d5d4c727a511e873dcbd9e4b095181b236/2Vmodular_menu-high-fidelity-v2-1600w.jpeg" /&#62;
Nihil Ex Nihilo
The DialogueAlgorithmic installation2011

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/ed664fe1ef323108a12f5f8bdb3b9d56351c78c2d751f73f5e915bd53a0b88ce/2VNEN_menu-high-fidelity-v2-1600w.jpeg" data-mid="246594549" border="0"  src="https://freight.cargo.site/w/1000/i/ed664fe1ef323108a12f5f8bdb3b9d56351c78c2d751f73f5e915bd53a0b88ce/2VNEN_menu-high-fidelity-v2-1600w.jpeg" /&#62;
Chapter I: The Discovery &#38;nbsp;
The encouterLight interactive sculpture2009


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8badd7e531638a5c98f239e46c751ec9f1afeb375cd4273cee82e2b1a20815e9/2VChapter1_menu3-high-fidelity-v2-1600w.jpeg" data-mid="246594545" border="0"  src="https://freight.cargo.site/w/1000/i/8badd7e531638a5c98f239e46c751ec9f1afeb375cd4273cee82e2b1a20815e9/2VChapter1_menu3-high-fidelity-v2-1600w.jpeg" /&#62;




	
La Société Automatique
Perpétuité IVAudiovisual installation 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8afda92eb6127625fb623f6ec5f9d2fef4e6f267d38060c870555742ace15784/5.jpg" data-mid="246594919" border="0"  src="https://freight.cargo.site/w/1000/i/8afda92eb6127625fb623f6ec5f9d2fef4e6f267d38060c870555742ace15784/5.jpg" /&#62;
La Société Automatique
SimondonPhotography2025
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/c5336cfa38ba1515c8aea43256f8128a16bf2da386826ce94a327d329d587858/3.jpg" data-mid="246594917" border="0"  src="https://freight.cargo.site/w/1000/i/c5336cfa38ba1515c8aea43256f8128a16bf2da386826ce94a327d329d587858/3.jpg" /&#62;
La Société Automatique
Perpétuité IIIOn-site Performance - Mechatronic installation 2025

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8ea83c9a4fca715d861c0808d06ff61a1195b1b192cc01b090039f0cfb91e5ac/Plan-de-travail-1.jpg" data-mid="246656348" border="0"  src="https://freight.cargo.site/w/1000/i/8ea83c9a4fca715d861c0808d06ff61a1195b1b192cc01b090039f0cfb91e5ac/Plan-de-travail-1.jpg" /&#62;


Perpétuité IMechatronic installation 2021

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a91cc337c0917462af86611d8a3c0dfd0f1d3951e5086da516ecfe089c5a2546/07_basse-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="97760041" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/a91cc337c0917462af86611d8a3c0dfd0f1d3951e5086da516ecfe089c5a2546/07_basse-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /&#62;
Junkyard
Junkyard II Installation2019

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/51632d9debdac9be7258e51c4377f005aa8f293f6059215149f95f4d25db7b15/Plan-de-travail-1.jpg" data-mid="246594493" border="0"  src="https://freight.cargo.site/w/1000/i/51632d9debdac9be7258e51c4377f005aa8f293f6059215149f95f4d25db7b15/Plan-de-travail-1.jpg" /&#62;The Material Culture of Mobility
Car body parts 




Metal sculptures2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/92620789ab65629f6e4c7b37f745091d3e94a30601ba109ab4904266e56a9469/5.jpg" data-mid="98590987" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/92620789ab65629f6e4c7b37f745091d3e94a30601ba109ab4904266e56a9469/5.jpg" /&#62;The Material Culture of Mobility

















Car
compression 



Ceramic sculptures2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/de6e8b8645b2d5b1b032431a6cb6db78f3b095f95dad5564f205d71b4382c4ce/_69A8909.jpg" data-mid="97760803" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/de6e8b8645b2d5b1b032431a6cb6db78f3b095f95dad5564f205d71b4382c4ce/_69A8909.jpg" /&#62;
The Material Culture of Mobility















highway
barbed wire. 



Metal sculpture2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/e0d7de610484127a59dc9116f419f6db7317fda63912681f7b1b4a0bf5e60631/_69A8981.jpg" data-mid="97760905" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/e0d7de610484127a59dc9116f419f6db7317fda63912681f7b1b4a0bf5e60631/_69A8981.jpg" /&#62;
Memory Lane 
VoidLight &#38;amp; Sound sculpture&#38;nbsp;2019

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/64ee525c264833831d6d3087cd1ef445a4ab580f9f896c1ea2d618895cd3421b/2VVoid_Menu1-high-fidelity-v2-1600w.jpeg" data-mid="246594554" border="0"  src="https://freight.cargo.site/w/1000/i/64ee525c264833831d6d3087cd1ef445a4ab580f9f896c1ea2d618895cd3421b/2VVoid_Menu1-high-fidelity-v2-1600w.jpeg" /&#62;
Memory Lane &#38;nbsp;
Laser landscapesPoint cloud prints2015

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/c95f72d4c4f154bc9fb38bd55c5b6526a7d4bc9910a7ab525829f54eabffcef5/2VML_Menu3-high-fidelity-v2-1600w.jpeg" data-mid="246594547" border="0"  src="https://freight.cargo.site/w/1000/i/c95f72d4c4f154bc9fb38bd55c5b6526a7d4bc9910a7ab525829f54eabffcef5/2VML_Menu3-high-fidelity-v2-1600w.jpeg" /&#62;Memory Lane &#38;nbsp;
Road to nowhere&#38;nbsp;Silkscreen on wall2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fc99bd40ba634d362cf406cbed13619f39e8a423b1729e21e6c7485995afddf9/_69A9071.jpg" data-mid="110875748" border="0"  src="https://freight.cargo.site/w/1000/i/fc99bd40ba634d362cf406cbed13619f39e8a423b1729e21e6c7485995afddf9/_69A9071.jpg" /&#62;
D.W.I 
ClonesMechatronic installation2013

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/09456237f19bd7ec85aa6b1f6a1819eef31cfcb6ea067b92ada6b7df761a58f3/2Vpendulo_menu-high-fidelity-v2-1600w.jpeg" data-mid="246594551" border="0"  src="https://freight.cargo.site/w/1000/i/09456237f19bd7ec85aa6b1f6a1819eef31cfcb6ea067b92ada6b7df761a58f3/2Vpendulo_menu-high-fidelity-v2-1600w.jpeg" /&#62;D.W.I 
Chaos &#38;nbsp;Particles animations2013

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/6410bf414d33de33f9457bfa4b39e988f987cef124d62371860a5477a158f77a/2Vsmoke_Menu-high-fidelity-v2-1600w.jpeg" data-mid="246594553" border="0"  src="https://freight.cargo.site/w/1000/i/6410bf414d33de33f9457bfa4b39e988f987cef124d62371860a5477a158f77a/2Vsmoke_Menu-high-fidelity-v2-1600w.jpeg" /&#62;
Nihil Ex Nihilo
The Monologue +&#38;nbsp;The TransformationSound monologue + Animation short film2011


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/ebe2776d71e068ac6b1da08eb4a9c2004a380642215a6b73067f56f3bad5a08e/2VNEN_menu2-high-fidelity-v2-1600w.jpeg" data-mid="246594550" border="0"  src="https://freight.cargo.site/w/1000/i/ebe2776d71e068ac6b1da08eb4a9c2004a380642215a6b73067f56f3bad5a08e/2VNEN_menu2-high-fidelity-v2-1600w.jpeg" /&#62;
Chapter I: The Discovery &#38;nbsp;
 Possible scenariosAnimation films2009
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/7b0d7ec9cae51b8a1508b644d40ef1332f032327fcf20482c52fb7ec88174576/2VChapter1_menu1-high-fidelity-v2-1600w.jpeg" data-mid="246594544" border="0"  src="https://freight.cargo.site/w/1000/i/7b0d7ec9cae51b8a1508b644d40ef1332f032327fcf20482c52fb7ec88174576/2VChapter1_menu1-high-fidelity-v2-1600w.jpeg" /&#62;




︎ Index</description>
		
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		<title>About</title>
				
		<link>https://felixluque.com/About</link>

		<pubDate>Thu, 04 Feb 2021 10:44:59 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/About</guid>

		<description>︎ IndexFELIX LUQUE SANCHEZ     	

CONTACT

EmailDOWNLOAD&#38;nbsp;
 Monograph 2021
La Société Automatique 2026
STATEMENT&#38;nbsp;
The work of Felix Luque Sánchez in collaboration with Damien Gernay, Vincent Evrard and Iñigo Bilbao, explores how humans conceive their relationship with technology and provide spaces for reflection on current issues such as the development of artificial intelligence and automatism. Using electronic and digital systems of representation, as well as mechatronic sculptures, generative sound scores, live data feeds and algorithmic processes, he creates narratives in which fiction blends with reality, suggesting possible scenarios of a near future and confronting the viewer with her fears and expectations about what machines can do. 
Luque’s installations are configured as autonomous and uncontrollable systems in which each element plays a role in both their functional and visual design. The machines are thus conceived not only in terms of the processes they carry out, but also as objects of aesthetic contemplation. Each artwork is divided into different parts or sections, that can be read as chapters of the same narrative, constitutive elements of a system, or attempts at exploring a single subject. This fragmentation counters the apparent oneness of the piece and the seemingly perfect operation of the machine. Failure and vulnerability are present in the way that these devices are forced to maintain delicate balances, pursue nonsensical dialogues, generate incomplete renderings of reality, and finally express themselves by means of a sound score that results from their own activity and the physical processes involved in it. The artist consciously plays with the contradictory perception of technology as purely functional while at the same time imbued with a mysterious purpose, and the fear that machines may replace humans. Inspired by science fiction, he draws from its aesthetic and conceptual foundations the tools to elaborate speculative narrations and address the spectator using preconceptions about technology in popular culture. The outcome is a series of artworks that fascinate by their technical elegance and intriguing opacity, at the same time attracting and distancing themselves from the viewer".
Text by Pau Waelder&#38;nbsp; &#38;nbsp;

EXHIBITIONS UPCOMING :
2026&#38;nbsp;Solo Show.	La Société Automatique. LABoral. Gijón. Spain
2026 Mimesis. Bois Mort as part of Damien Gernay’s retrospective. CID Grand-Hornu. Mons.Belgique.
PAST :2026 Augure et Frémissements. Centre Wallonie-Bruxelles. Paris. France.

2026  L'Ososphère. Strasbourg. France.&#38;nbsp;2025&#38;nbsp;Solo Show.	La Société Automatique. iMAL. Brussels. Belgium2025		Creative Machine. Wanlin Art Museum. Wuhan. China
2024		Creative Machine. Taikang Art Museum (TAM). Beijing. China

2024: Memory Lane. Overflow gallery. Liège. Belgium2023. Fragments. Fiber Festival. Amsterdam. The Netherlands.2023. Máquina Orgánica. teatros del Canal. Madrid. Spain.
2022. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence / Marseille. France2022. Touched by Humankind. KALYON KÜLTÜR. Istanbul. Turkey
2022. TEEN SPIRIT: Adolescence and Contemporary Art. BPS22. Charleroi. Belgium 2022. Festival ]interstice[. Caen. France&#38;nbsp;2022. Rencontres Internationales Paris/Berlin: Nouveau cinéma et art contemporain. Paris. France /&#38;nbsp;Berlin. Germany2022. Les heures sauvages. Centre Wallonie-Bruxelles. Paris. France.
2022. Máquina Mística. teatros del Canal. Madrid. Spain.
2022. NTAA’22. The Liedts-Meesen Foundation. Gent. Belgium
2021. Solo Show. Verisimilitude. MIMA. Brussels. Belgium.2021. Solo Show. Memory Lane. Centre des arts enghien les bains. Enghien les bains. France
2021. 100%. La Villete. Paris. France.2021. Extractions. A Two Dogs Company. Brussels. Belgium.2021. 25 Arts Seconde.










Centre Wallonie-Bruxelles. Paris. France.

2020. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence. France
2019. D3US EX M4CH1NA. LABoral. Gijón. Spain
2019. Panorama 21. Le Fresnoy. Tourcoing. France
2019. Les Garages Numériques. Brussels. Belgium2019. Experientia!. Château de Lunéville. France2019. Imagining Cities beyong Technology. Songeun Art Space. Seoul. South Korea2019. Signals. CTM. Berlin. Germany2018. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2018. Trondheim biennale for art and technology. Trondheim. Norway 2018. Solo Show. Memory Lane. Fundación Telefónica. Lima. Peru2017. Chroniques.&#38;nbsp;Fondation Vasarely. France2017. Humans being digital. The Lowry. Manchester. U.K2017. Natura Nova. Contemporary Istanbul. Turkey2017. Solo Show. Chapter I: The Discovery. Q10. Charleroi. Belgium&#38;nbsp;2017. Festival ]interstice[. Caen. France2016. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2016. Scopitone. Nantes. France2016. Tendencies - Belgian Art in the Digital Age. Bozar. Brussels. Belgium2016. BIAN 2016. Arsenal Contemporary Art. Montréal. Canada2016. Solo Show. Memory Lane. iMAL. Brussels. Belgium2016. White Circle. Atelier Copens. Art Brussels. Brussels. Belgium2016. 100%. La villette. Paris. France2016. Remote Signals, ARSi maja, Tallinn, Estonia2015. Chapter I: The Discovery. Le Vecteur. Charleroi. Belgium2015. Kikk Festival. Namur. belgium
2015. Surfaces Sensibles. Palais El Abdellia. Tunis.Tunisia2015. Ars Electronica 2015. Linz. Austria2014. Creative Machine. Goldsmith. London. U.K2014. BEAF 2014. Bozar.	Brussels. Belgium2014. BIAN 2014. Musée d’art contemporain de Montréal. Montréal. Canada2014. POPPOSITIONS. Art Fair, Brussels. Belgium2013. Orléanoïde. Musée des Beaux Arts. Orleans. France2013. VIA.Gare St. Sauveur.	Lille. France2013. VIA. Maubeuge.	Maubeuge. France2013. Exit. Maison des Arts de Creteil. Île-de-France. France2012. NTAA. UPDATE IV. The Liedts-Meesen Foundation. Gent.Belgium2011. Futur Variable. BÒLIT Centre d'Art Contemporani. Girona. Spain2011. Paranoïa. Gare St. Sauveur.	Lille. France2011. VIA. Maubeuge.Maubeuge. France2011. Exit. Maison des Arts de Creteil.	Île-de-France. France2011. Nemo 2011. Le Cube. Île-de-France. France2011. Solo Show. Nihil Ex Nihilo. iMAL. Brussels. Belgium2010. Ars Electronica 2010. Ars Electronica Center. Linz. Austria2010. UPDATE III. The Liedts-Meesen Foundation. Gent. Belgium2010. Transmediale 2010. Instituto Cervantes Berlín. Berlin. Germany2009. Solo Show. Chapter I: The Discovery. iMAL. Brussels. Belgium2009. Solo Show. Chapter I: The Discovery. LABoral. 	Gijón. Spain


GRANTS, AWARDS &#38;amp; ART RESIDENCIES
2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France
2012. Winner: New Technological Art Award The Liedts-Meesen Foundation for Nihil Ex Nihilo. Gent. Belgium
2022. 3rd Place: New Technological Art Award The Liedts-Meesen Foundation for Perpétuité I. Gent. Belgium
2022. Jury selection:&#38;nbsp; JMAF: 25rd Japan Media Arts Festival for Perpétuité I. Tokyo. Japan
2010. Honorary Mention: Ars Electronica 2010 for Chapter I: The Discovery. Linz. Austria2010. Nomination: Transmediale 2010 award for Chapter I: The Discovery. Berlin. Germany2010. Nomination: New Technological Art Award The Liedts-Meesen Foundation for Chapter I: The Discovery. Gent. Belgium2010. Award VIDA 13.0. Artistic Production Incentives. Fundación Telefónica.	Madrid. Spain2009-Present. Several production grants (Secteur arts numériques, Fédération Wallonie-Bruxelles)	Brussels. Belgium2008. Oficina de Proyectos 2008. LABoral. Production Grant.	Gijón. Spain2014. Production Grant. Arcadi. France2014. Production Grant. Ministerio de Educación, Cultura y Deporte de España. Spain2002 &#38;amp; 2004. Audiovisual and Musical Grant for Young Creators (I.U.A/Phonos/Metrònom)	Barcelona. Spain2009 &#38;amp; 2014. Artist in Residency at iMAL. Brussels. Belgium
	
 EDUCATION &#38;amp; TEACHING 
- TEACHING &#38;amp; WORK:2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France2014-2018. Digital fabrication and New Media Workshops for art schools: L’ERG (Brussels), la Chambre (Brussels), Le 75 (Brussels), Kask (Gent).2012 - 2018. Manager at iMAL's FabLab. Brussels, Belgium.2002 to 2008. Teaching. Master in Digital Arts (IUA/UPF). Barcelona, Spain2008 - 2012. Software/Electronics for several works by Kirs Verdonck "A Two dogs company". Kaai theater. Brussels. Belgium
- EDUCATION:1994 – 1999.&#38;nbsp; &#38;nbsp;Graduate Anthropology (Social Sciences). U.L.B University. Brussels.	Belgium1999 - 2001. Master in New Media / Digital Arts. Audio visual institute. UPF. Barcelona. Spain

BIBLIOGRAPHY (SELECTION):&#38;nbsp;



Monograph&#38;nbsp;

“Félix Luque Sánchez: Machines &#38;amp; Fictions”. 










Edited by Pau Waelder. with texts by Jussi Parikka &#38;amp; Yigit Soncul, Nadim Samman, Mónica Bello, Iñigo Bilbao Lopategui, Pierre-Yves Desaïve, Pau Waelder. éditions CDA (Centre des Arts). 2021. 224 pages

Other books:

Inclassables. Station Mir. Les presses du réel 2026. 364 Pages. (P. 106-109)&#38;nbsp;
Alive: Synthetic Cells, Feral Robots, Rebellious AI, and the Design of Radical Life.&#38;nbsp;Madeline Schwartzman.&#38;nbsp;Thames &#38;amp; Hudson 2025. 256 pages. (P. 54-55)
Poetics of Encryption: Art and the Technocene. Nadim Samman. Hatje Cantz. 2023. 160 Pages. (P. 56-76)

L’art au-delà du digital. Dominique Moulon. Nouvelles éditions Scala, Paris, 2018. 287 pages. (P. 185-186)


S.F. [ART, SCIENCE &#38;amp; FICTION]. Denis Gielen Laurent Busine. MACS / Musée des Arts Contemporains au Grand-Hornu Fonds. 2013. 272 pages. (P. 25).







︎ Index
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		<title>Assembled</title>
				
		<link>https://felixluque.com/Assembled</link>

		<pubDate>Fri, 27 Mar 2026 09:51:18 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Assembled</guid>

		<description>︎ Index
La Société Automatique
Assembled in ChinaAI video sculpture2025
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/10cff23b6be53be37fb12210eb280bd9fc91121e4141633fb5b3f8f18a4d3363/Felix-Luque-IMAL-2025_-2480.jpg" data-mid="246566710" border="0"  src="https://freight.cargo.site/w/1000/i/10cff23b6be53be37fb12210eb280bd9fc91121e4141633fb5b3f8f18a4d3363/Felix-Luque-IMAL-2025_-2480.jpg" /&#62;Assembled in China is part of our solo exhibition: La Société Automatique.
From industrial production to contemporary artificial intelligence, total automation remains a fantasy. Behind it still remains an essential, largely obscured and often exploited workforce.
The Chinese workers depicted in this AI video-sculpture embody the working conditions hidden behind the products consumed in the West. Captured in close-up during moments of silent waiting, they express a discreet discomfort.
Although these hidden workers appear to finally be brought to light, the images merely show us copies generated by artificial intelligence tools. They thus seem inexorably condemned to invisibility, always on the verge of being replaced by technology.Download &#38;nbsp;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/690cdc09d45c9685e4ab58ef25c27562244deaf250d9b1bedb72b9d7fc287ea6/Felix-Luque-IMAL-2025_-2430.jpg" data-mid="246566705" border="0"  src="https://freight.cargo.site/w/1000/i/690cdc09d45c9685e4ab58ef25c27562244deaf250d9b1bedb72b9d7fc287ea6/Felix-Luque-IMAL-2025_-2430.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/8e21548f7d481482aea97d7b05b444020cde10c1f71d0d4f23395fcaf4a6684c/Felix-Luque-IMAL-2025_-2504.jpg" data-mid="246566711" border="0"  src="https://freight.cargo.site/w/1000/i/8e21548f7d481482aea97d7b05b444020cde10c1f71d0d4f23395fcaf4a6684c/Felix-Luque-IMAL-2025_-2504.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f6e5b1134ee62283a1e33b396c7bc52b079323937b8f49f6e54eb003d3cd7cc0/07_01_1920x1080.png" data-mid="246566714" border="0"  src="https://freight.cargo.site/w/1000/i/f6e5b1134ee62283a1e33b396c7bc52b079323937b8f49f6e54eb003d3cd7cc0/07_01_1920x1080.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/87998e6e20ac100e8b82e8a6828fa6449805c94ee9aa90137c80148cf08f55e9/24_06_1920x1080.png" data-mid="246566715" border="0"  src="https://freight.cargo.site/w/1000/i/87998e6e20ac100e8b82e8a6828fa6449805c94ee9aa90137c80148cf08f55e9/24_06_1920x1080.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d14f0dd57f69cf43f58e6bcd6a32ef29b60334e0432f563830135a24efaf32f9/34_casco_01_1920x1080.png" data-mid="246566719" border="0"  src="https://freight.cargo.site/w/1000/i/d14f0dd57f69cf43f58e6bcd6a32ef29b60334e0432f563830135a24efaf32f9/34_casco_01_1920x1080.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c1ab464b12a756c083dd92b1c739fd2433e8bca68ea45435a6d4debaae327130/16_11_1920x1080.png" data-mid="246566768" border="0"  src="https://freight.cargo.site/w/1000/i/c1ab464b12a756c083dd92b1c739fd2433e8bca68ea45435a6d4debaae327130/16_11_1920x1080.png" /&#62;


CreditsAssembled in China by Félix Luque in collaboration with Iñigo BilbaoAI Videos: Iñigo BilbaoTechnic: animations generated by AI models, metal structure, screens, multimedia players.
Assembled in China is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.
︎ Index



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		<title>Flora</title>
				
		<link>https://felixluque.com/Flora</link>

		<pubDate>Fri, 27 Mar 2026 09:28:30 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Flora</guid>

		<description>︎ Index
La Société Automatique
FloraAudiovisual installation2025
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/73a59d6c9997b00573f0216a60ca0a5dd53683b702f53ebbf35543ef03540b70/FLORA_3.jpg" data-mid="246566419" border="0"  src="https://freight.cargo.site/w/1000/i/73a59d6c9997b00573f0216a60ca0a5dd53683b702f53ebbf35543ef03540b70/FLORA_3.jpg" /&#62;

Flora is part of our solo exhibition: La Société Automatique.
An intimate portrait of a 14-year-old girl, this slow continuous shot reveals the micro-movements of her face and the intense concentration of her gaze as she watches the endless flow of content on TikTok.
Composed entirely from the sounds of Flora's TikTok feed, the soundtrack by Le Motel immerses the audience in this hypnotic universe. In the Automatic Society sketched by Bernard Stiegler, the logic of automation infiltrates every aspect of life. The attention economy is probably its most powerful and visible manifestation.
Its workforce is an army of volunteer creators who exploit themselves in order to win the favour of an arbitrary algorithm that pours out content into our endless scrolls. Every interaction is analysed to optimise user addiction and amass as much data as possible, which platforms can then extract value from.Download

&#60;img width="8067" height="5380" width_o="8067" height_o="5380" data-src="https://freight.cargo.site/t/original/i/86d1087ba19d8e3f29cb89e382d459e0959615f834588f0bb04704e560fbb06d/Felix-Luque-IMAL-2025_-2653.jpg" data-mid="246566440" border="0"  src="https://freight.cargo.site/w/1000/i/86d1087ba19d8e3f29cb89e382d459e0959615f834588f0bb04704e560fbb06d/Felix-Luque-IMAL-2025_-2653.jpg" /&#62;


CreditsFlora by Félix Luque in collaboration with Nicolas Torres Correia and Le motelCast: Flora Luque TruffinDirector: Félix Luque Sánchez&#38;amp; Nicolas TorresDOP: François RolandOriginal soundtrack using Flora’s tiktok feed: Le MotelColour grading: Xavier Dockx&#38;nbsp;Technic: Film projection, iPhone, Flora's TikTok feed.
Flora is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.
︎ Index




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		<title>simondon</title>
				
		<link>https://felixluque.com/simondon</link>

		<pubDate>Fri, 27 Mar 2026 10:06:48 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/simondon</guid>

		<description>︎ Index
La Société Automatique
Le rêve de SimondonSeries of 8 printed digital photographs2025

&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/42fa61c80774bf72a1cf600515d39ce90fd226177bd5454134d79fdca1ab5cd5/Felix-Luque-IMAL-2025_-2664.jpg" data-mid="246567612" border="0"  src="https://freight.cargo.site/w/1000/i/42fa61c80774bf72a1cf600515d39ce90fd226177bd5454134d79fdca1ab5cd5/Felix-Luque-IMAL-2025_-2664.jpg" /&#62;Le rêve de Simondon is part of our solo exhibition: La Société Automatique.Are these photos of teenagers carrying out car manufacturing tasks real or staged? What Félix is really trying to do here is question what these images could mean in the age of the automated society.
The work is named after the philosopher Gilbert Simondon (1924–1989), who advocated for the democratisation of technical knowledge. He believed that this pedagogy was essential in order to counteract the alienation from technical objects born of our ignorance of how they work and are produced.
With a certain irony, Félix confronts Simondon's ideas with a world in which contemporary technical objects are deliberately designed as black boxes.Download


&#60;img width="7558" height="11336" width_o="7558" height_o="11336" data-src="https://freight.cargo.site/t/original/i/04644cc483c083e0b682c502f57761e56b119059689284e45c99649f77c2fd8f/2VPair_2A-high-fidelity-v2-2x.jpg" data-mid="246567609" border="0"  src="https://freight.cargo.site/w/1000/i/04644cc483c083e0b682c502f57761e56b119059689284e45c99649f77c2fd8f/2VPair_2A-high-fidelity-v2-2x.jpg" /&#62;&#60;img width="7680" height="11520" width_o="7680" height_o="11520" data-src="https://freight.cargo.site/t/original/i/b1ca30aeeb3cdf38fc76286d506265132531a347c0c307e397bb000856e9ca74/2VPair_2B-high-fidelity-v2-2x.jpg" data-mid="246567610" border="0"  src="https://freight.cargo.site/w/1000/i/b1ca30aeeb3cdf38fc76286d506265132531a347c0c307e397bb000856e9ca74/2VPair_2B-high-fidelity-v2-2x.jpg" /&#62;&#60;img width="7680" height="11520" width_o="7680" height_o="11520" data-src="https://freight.cargo.site/t/original/i/aa6f92c16a5009406b65a0ae12c4c7342ae5570abb022662b525b37b3bde2cea/2VPair_1A-high-fidelity-v2-2x.jpg" data-mid="246567457" border="0"  src="https://freight.cargo.site/w/1000/i/aa6f92c16a5009406b65a0ae12c4c7342ae5570abb022662b525b37b3bde2cea/2VPair_1A-high-fidelity-v2-2x.jpg" /&#62;



Credits
Le rêve de Simondon by Félix Luque
Technic: Series of 8 digital photographs printed on paper.
“T-Slot” and “Le rêve de Simondon” were produced and created during a workshop at Lycée Émulation Dieppoise, at the invitation of Centre photographique Rouen Normandie. 
Félix extends his warmest thanks to the teachers and students who participated in this endeavour.Le rêve de Simondon is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.

︎ Index



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		<title>T-Slot</title>
				
		<link>https://felixluque.com/T-Slot</link>

		<pubDate>Fri, 27 Mar 2026 10:18:17 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/T-Slot</guid>

		<description>︎ Index
La Société Automatique
T-SLOTMetal sculptures2025

&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/4324dd7c303afe05250b0d0ec90640506aab05b95810513613577f77182f6e1e/Felix-Luque-IMAL-2025_-2471.jpg" data-mid="246567630" border="0"  src="https://freight.cargo.site/w/1000/i/4324dd7c303afe05250b0d0ec90640506aab05b95810513613577f77182f6e1e/Felix-Luque-IMAL-2025_-2471.jpg" /&#62;

T-Slot is part of our solo exhibition: La Société Automatique.In robotised factories, the T-slot is an essential structural component. These metal profiles are used to mount sensors, lightweight robotic arms, conveyors, guards or panels, and facilitate the adjustment or reconfiguration of production lines.
The artist repurposes this industrial element into a giant sculpture that both fills and reflects the space. On the wall, a series of panels presents variations of T-profiles, arranged as a language of formal possibilities.Download

&#60;img width="8051" height="5370" width_o="8051" height_o="5370" data-src="https://freight.cargo.site/t/original/i/8faf08b875c233078d2569f696dd4f03fa570c0035418fd6f2f44911a49aae90/Felix-Luque-IMAL-2025_-2466.jpg" data-mid="246567632" border="0"  src="https://freight.cargo.site/w/1000/i/8faf08b875c233078d2569f696dd4f03fa570c0035418fd6f2f44911a49aae90/Felix-Luque-IMAL-2025_-2466.jpg" /&#62;
&#60;img width="5394" height="8088" width_o="5394" height_o="8088" data-src="https://freight.cargo.site/t/original/i/4bb23657c749462f520ff21ae8a847fbc0d7b990b8de10ebda2f8a69bf7469fc/Felix-Luque-IMAL-2025_-2458.jpg" data-mid="246567631" border="0"  src="https://freight.cargo.site/w/1000/i/4bb23657c749462f520ff21ae8a847fbc0d7b990b8de10ebda2f8a69bf7469fc/Felix-Luque-IMAL-2025_-2458.jpg" /&#62;&#60;img width="8016" height="5347" width_o="8016" height_o="5347" data-src="https://freight.cargo.site/t/original/i/b616a21c5c662e79b330282c2a0b0c4c00b4c16d4a1e91cb9d4fb987edcb8b25/Felix-Luque-IMAL-2025_-2445.jpg" data-mid="246567635" border="0"  src="https://freight.cargo.site/w/1000/i/b616a21c5c662e79b330282c2a0b0c4c00b4c16d4a1e91cb9d4fb987edcb8b25/Felix-Luque-IMAL-2025_-2445.jpg" /&#62;


CreditsT-Slot by Félix Luque

Technic: Cut, bent and welded stainless steel. Mirror finish polishing. 50x50x200 cm. Images of a automated factory printed on fabric. Plasma-cut steel and car body paint. -
“T-Slot” and “Le rêve de Simondon” were produced and created during a workshop at Lycée Émulation Dieppoise, at the invitation of Centre photographique Rouen Normandie. Félix extends his warmest thanks to the teachers and students who participated in this endeavour.
T-SLOT is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.

︎ Index


</description>
		
	</item>
		
		
	<item>
		<title>Perpetuité I</title>
				
		<link>https://felixluque.com/Perpetuite-I</link>

		<pubDate>Thu, 04 Feb 2021 12:34:07 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Perpetuite-I</guid>

		<description>︎ Index

Perpétuité I
Mechatronic installation
2021


&#60;img width="5632" height="3756" width_o="5632" height_o="3756" data-src="https://freight.cargo.site/t/original/i/f39da5bcdbcc2d1cb292855eb3a81874eb1ca8410e5ec5265aa31103231c98c8/07_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="102309852" border="0"  src="https://freight.cargo.site/w/1000/i/f39da5bcdbcc2d1cb292855eb3a81874eb1ca8410e5ec5265aa31103231c98c8/07_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /&#62;

About the installation&#38;nbsp; series Perpétuité:Industrial robots are conceived to perform repetitive tasks with almost absolute precision. They perform them without fatigue, without rest, without loss of concentration and without hesitation. This is the mastery of automation, a synchronised symphony.
In the installation series Perpétuité, we want to stage industrial machines in endless tasks guided by algorithms, in a kind of perpetual performance. 
The vision we are trying to represent is that of our realization through the technoneoliberal dream, the total replacement of humans by automation.
We face our extinction as our technological creations, our machines, overtake us as masters of repetition, collaborative work, data and computation. But they also replace Sisyphus, condemned like him to repeat and undo a task in perpetuity.
About Perpétuité I:In Perpétuité I&#38;nbsp; the visitor is invited to contemplate the perfection of mechatronic automation, the repetitive and identical movements, two machines programmed to manifest the eternal and at the same time its impossible realization. 
This installation functions as a metaphor of the present time, and offers a space for contemplation, in the face of our accelerated temporality. The imagination she tries to represent is that of our achievement through the technological dream. When human society is faced with its extinction, the eternal becomes a new task for our machines, a utopia in a future without humanity.

&#60;img width="5574" height="3716" width_o="5574" height_o="3716" data-src="https://freight.cargo.site/t/original/i/84784e221d1bb470bff004d0f239bf404cdf57d52611e5a3f5c40d20ddaa5e37/08_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="102309854" border="0"  src="https://freight.cargo.site/w/1000/i/84784e221d1bb470bff004d0f239bf404cdf57d52611e5a3f5c40d20ddaa5e37/08_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /&#62;&#60;img width="5552" height="3702" width_o="5552" height_o="3702" data-src="https://freight.cargo.site/t/original/i/0f1fc0daeb67aee8f1ae8c7c78a2d1fa3de266a6a05e6def2902823aa15d7bfe/04_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="102310563" border="0"  src="https://freight.cargo.site/w/1000/i/0f1fc0daeb67aee8f1ae8c7c78a2d1fa3de266a6a05e6def2902823aa15d7bfe/04_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /&#62;

&#60;img width="5583" height="3722" width_o="5583" height_o="3722" data-src="https://freight.cargo.site/t/original/i/4b2cba93b6b2fded183bc5b4c378262723df95614da17486bdd88234157bd68b/03_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="102310027" border="0"  src="https://freight.cargo.site/w/1000/i/4b2cba93b6b2fded183bc5b4c378262723df95614da17486bdd88234157bd68b/03_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /&#62;



CreditsPerpétuité I by Félix Luque in Collaboration with&#38;nbsp;Vincent Evrard

Perpétuité I is a coproduction of&#38;nbsp; “secteur arts numériques, Fédération Wallonie-Bruxelles” and "Chroniques 2020 (Biennal of Digital Imagination)”.


					
				
			
		
	


︎ Index





</description>
		
	</item>
		
		
	<item>
		<title>Perpetuité II</title>
				
		<link>https://felixluque.com/Perpetuite-II</link>

		<pubDate>Fri, 27 Jan 2023 14:28:38 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Perpetuite-II</guid>

		<description>︎ Index
La Société Automatique
Perpétuité II
Installation
2022 -2026

&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/b905a3bf24008ac417215d6ab58348f338e4123e13ab5f7df4262ab16423d352/3.jpg" data-mid="246540960" border="0"  src="https://freight.cargo.site/w/1000/i/b905a3bf24008ac417215d6ab58348f338e4123e13ab5f7df4262ab16423d352/3.jpg" /&#62;

Perpétuité II is part of our solo exhibition: La Société Automatique.
About the installation series Perpétuité:Industrial robots are conceived to perform repetitive tasks with almost absolute precision. They perform them without fatigue, without rest, without loss of concentration and without hesitation. This is the mastery of automation, a synchronised symphony.
In the installation series Perpétuité, we want to stage industrial machines in endless tasks guided by algorithms, in a kind of perpetual performance. 
The vision we are trying to represent is that of our realization through the technoneoliberal dream, the total replacement of humans by automation.
We face our extinction as our technological creations, our machines, overtake us as masters of repetition, collaborative work, data and computation. But they also replace Sisyphus, condemned like him to repeat and undo a task in perpetuity.
About perpétuité II:
This industrial pharmaceutical robot – a creature half organic and half digital – is assigned to perform an endless task. Driven by an AI, it moves hundreds of coloured pills to trace a real-time simulation of the synaptic activity of our neurons.
A series of sculptures of sleeping people, titled The Sleepers, surround the robot, while psychotropic pills photographed under an electron microscope hang on the walls.
Tranquilisers, antidepressants, anxiolytics, psychostimulants— these substances have become key parts of an alienating techno-capitalist society that treats its workers like machines.Download

&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/bc051b161743205ea116d6b37f15621a70bebd108267c694a2b8b4a06a5cc94d/Felix-Luque-IMAL-2025_-2589.jpg" data-mid="246541103" border="0"  src="https://freight.cargo.site/w/1000/i/bc051b161743205ea116d6b37f15621a70bebd108267c694a2b8b4a06a5cc94d/Felix-Luque-IMAL-2025_-2589.jpg" /&#62;&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/bc22ebfe35607805259ec35ce6d251952b2f64ca3b15ee4ec8377583646d6170/2.jpeg" data-mid="246565984" border="0"  src="https://freight.cargo.site/w/1000/i/bc22ebfe35607805259ec35ce6d251952b2f64ca3b15ee4ec8377583646d6170/2.jpeg" /&#62;&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/5cc15d564d39e6af79089f7bc25ff77126a988de1becd34b3b52a4b6ee4ac00e/5.jpeg" data-mid="246565985" border="0"  src="https://freight.cargo.site/w/1000/i/5cc15d564d39e6af79089f7bc25ff77126a988de1becd34b3b52a4b6ee4ac00e/5.jpeg" /&#62;
&#60;img width="5222" height="7829" width_o="5222" height_o="7829" data-src="https://freight.cargo.site/t/original/i/30dc84d7ef7a03575ab4cb520f4df3edad29f7d02febf4d5f2f7b4d4384599ad/Felix-Luque-IMAL-2025_-2598.jpg" data-mid="246541105" border="0"  src="https://freight.cargo.site/w/1000/i/30dc84d7ef7a03575ab4cb520f4df3edad29f7d02febf4d5f2f7b4d4384599ad/Felix-Luque-IMAL-2025_-2598.jpg" /&#62;





&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/279b0b25cfb8f230204d39f241f8ce32c5106eb53f5050ca2f8817bced47f794/Felix-Luque-IMAL-2025_-2608.jpeg" data-mid="246565986" border="0"  src="https://freight.cargo.site/w/1000/i/279b0b25cfb8f230204d39f241f8ce32c5106eb53f5050ca2f8817bced47f794/Felix-Luque-IMAL-2025_-2608.jpeg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/db50fa236bc7655a95f1bf37f7b9a090bc5aeb97e491c6bba7616f478b50c25b/9.jpg" data-mid="166342837" border="0"  src="https://freight.cargo.site/w/1000/i/db50fa236bc7655a95f1bf37f7b9a090bc5aeb97e491c6bba7616f478b50c25b/9.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ce75b8f7664f939d2524fdc9061db5d099674f63c81df32c254a0fe26202ebd3/5.jpg" data-mid="166342834" border="0"  src="https://freight.cargo.site/w/1000/i/ce75b8f7664f939d2524fdc9061db5d099674f63c81df32c254a0fe26202ebd3/5.jpg" /&#62;

&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5061c7c888f96f4764c9aa9ed50583262f35aeec67fc4fd0fab47d4aa52c1172/3.jpg" data-mid="166342832" border="0"  src="https://freight.cargo.site/w/1000/i/5061c7c888f96f4764c9aa9ed50583262f35aeec67fc4fd0fab47d4aa52c1172/3.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ca25f762848c237134e39f16c4a7de2a0aa212e3f8bf1a74981f190168aca6c1/1.jpg" data-mid="168509565" border="0"  src="https://freight.cargo.site/w/1000/i/ca25f762848c237134e39f16c4a7de2a0aa212e3f8bf1a74981f190168aca6c1/1.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/7d2d6ace91a18f210b777d3b0700fd534a8d0875145ea53903f6a76cfcc99f7f/0.jpg" data-mid="168509564" border="0"  src="https://freight.cargo.site/w/1000/i/7d2d6ace91a18f210b777d3b0700fd534a8d0875145ea53903f6a76cfcc99f7f/0.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/423d4c5ae5af567dca51fe69a9803fa9b8aa51af8ba12d68a167d544d505774a/2.jpg" data-mid="168509566" border="0"  src="https://freight.cargo.site/w/1000/i/423d4c5ae5af567dca51fe69a9803fa9b8aa51af8ba12d68a167d544d505774a/2.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/18752243bfecfc07543d01ec4082d3cd5132cf2bcecded1bdf951d550b22553b/3.jpg" data-mid="168509568" border="0"  src="https://freight.cargo.site/w/1000/i/18752243bfecfc07543d01ec4082d3cd5132cf2bcecded1bdf951d550b22553b/3.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0843c9bf9ea6e9fa7ed1d231586923020a81b42f23649477de24eed448aebe91/4.jpg" data-mid="168509571" border="0"  src="https://freight.cargo.site/w/1000/i/0843c9bf9ea6e9fa7ed1d231586923020a81b42f23649477de24eed448aebe91/4.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3eb484acf65dd21386caf5703f6e352b0d8b953fe588cd8e1083c3c126f2de80/11.jpg" data-mid="166342838" border="0"  src="https://freight.cargo.site/w/1000/i/3eb484acf65dd21386caf5703f6e352b0d8b953fe588cd8e1083c3c126f2de80/11.jpg" /&#62;

CreditsPerpétuité II by Félix Luque in Collaboration with Vincent Evrard and Damien GernayTechnic: Modified industrial robot, custom hardware and software, drawing algorithm, resin pills. 
Sculptures of human heads made from bio-based corn and copper, based on 3D scans. 
Scanning electron microscope photographs of psychotropic pills on steel sheet: Trankimazin 2 mg, Brintellix 10 mg, Lorazepan 1 mg, Maserati XTC

Perpétuité II is a coproduction of&#38;nbsp; “secteur arts numériques, Fédération Wallonie-Bruxelles”, "Chroniques 2022 (Biennal of Digital Imagination)” and iMAL.&#38;nbsp;Perpétuité IV is part of our solo exhibition: La Société Automatique.

					
				
			
		
	

︎ Index





&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/2b6198cb3461f435e97ccfed22c2bd1e54988a5248d6f0fb9795c3b55cda7f99/4.jpg" data-mid="246540933" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2b6198cb3461f435e97ccfed22c2bd1e54988a5248d6f0fb9795c3b55cda7f99/4.jpg" /&#62;</description>
		
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