Felix Luque Sanchez

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	<title>Felix Luque Sanchez</title>
	<link>https://felixluque.com</link>
	<description>Felix Luque Sanchez</description>
	<pubDate>Thu, 24 Sep 2026 12:53:53 +0000</pubDate>
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		<title>Slideshow</title>
				
		<link>https://felixluque.com/Slideshow</link>

		<pubDate>Thu, 04 Feb 2021 10:44:22 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

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		<description>
	FELIX LUQUE SANCHEZ 

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; WORKS&#38;nbsp;  &#38;nbsp;&#38;nbsp; ABOUT &#38;nbsp; &#38;nbsp;

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		<title>Text</title>
				
		<link>https://felixluque.com/Text</link>

		<pubDate>Thu, 04 Feb 2021 10:44:29 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

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		<description>
	Studio

Studio With A View
Bd Poincaré 61. 1070. Brussels. Belgium

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	<item>
		<title>Works</title>
				
		<link>https://felixluque.com/Works</link>

		<pubDate>Thu, 04 Feb 2021 10:44:27 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

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		<description>︎ Index
	Assembled in ChinaAI video sculpture2025

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T-SlotMetal sculptures 2025

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FloraAudiovisual installation 2025

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Perpétuité IIInstallation&#38;nbsp;2023 - 2026

&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/a93e7d49653ed28a7178f994f6bd139e578aa5d062a02c7653d85c022029300b/Menu_PII.jpg" data-mid="167726919" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/a93e7d49653ed28a7178f994f6bd139e578aa5d062a02c7653d85c022029300b/Menu_PII.jpg" /&#62;Junkyard IShort film2019


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/28e1912c5e0112dd53d76b61374ba90ef4c429e35e8590701744f809473aacb2/Plan-de-travail-1.jpg" data-mid="246594398" border="0"  src="https://freight.cargo.site/w/1000/i/28e1912c5e0112dd53d76b61374ba90ef4c429e35e8590701744f809473aacb2/Plan-de-travail-1.jpg" /&#62;Junkyard III Point cloud Film2019 


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 LF Sound SystemSound sculpture2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/112cbc181d93abf3a7b140af689a417140ad747e9c71be35f57de35a443f5a43/10.jpg" data-mid="98591929" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/112cbc181d93abf3a7b140af689a417140ad747e9c71be35f57de35a443f5a43/10.jpg" /&#62;
Los AngelesRubber sculpture&#38;nbsp;2021

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" data-mid="97760899" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" /&#62;Memory Lane&#38;nbsp;Installation2015


&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/7da90781338bba060545b260d5c3bff02e30fa5f966ca5c8dd662c06fad36c0c/2VML_Menu1-high-fidelity-v2-1600w.jpeg" data-mid="246594546" border="0"  src="https://freight.cargo.site/w/1000/i/7da90781338bba060545b260d5c3bff02e30fa5f966ca5c8dd662c06fad36c0c/2VML_Menu1-high-fidelity-v2-1600w.jpeg" /&#62;Bois MortLight &#38;amp; Sound sculpture2015

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D.W.I Chaos&#38;nbsp;Synthetiser2013

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D.W.I ModularModular sculpture system2013

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Nihil Ex NihiloAlgorithmic installation2011

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Chapter I: The Discovery &#38;nbsp;Light interactive sculpture2009


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Perpétuité IVAudiovisual installation 2025

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SimondonPhotography2025
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Perpétuité IIIOn-site Performance - Mechatronic installation 2025

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Perpétuité IMechatronic installation 2021

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Junkyard II Installation2019

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Car body parts 


Metal sculptures2021

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Car
compression 


Ceramic sculptures2021

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highway
barbed wire. 


Metal sculpture2021

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VoidLight &#38;amp; Sound sculpture&#38;nbsp;2019

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Memory Lane &#38;nbsp;Point cloud prints2015

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/c95f72d4c4f154bc9fb38bd55c5b6526a7d4bc9910a7ab525829f54eabffcef5/2VML_Menu3-high-fidelity-v2-1600w.jpeg" data-mid="246594547" border="0"  src="https://freight.cargo.site/w/1000/i/c95f72d4c4f154bc9fb38bd55c5b6526a7d4bc9910a7ab525829f54eabffcef5/2VML_Menu3-high-fidelity-v2-1600w.jpeg" /&#62;Memory Lane : Road to nowhere&#38;nbsp;Silkscreen on wall2021

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D.W.I ClonesMechatronic installation2013

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D.W.I Chaos &#38;nbsp;Particles animations2013

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Nihil Ex NihiloAnimation short film2011


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Chapter I: The Discovery &#38;nbsp; Animation films2009
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︎ Index</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://felixluque.com/About</link>

		<pubDate>Thu, 04 Feb 2021 10:44:59 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/About</guid>

		<description>︎ IndexFELIX LUQUE SANCHEZ     	

CONTACT
Instagram&#38;nbsp;&#38;nbsp;

EmailPORTFOLIO
 LINK

STATEMENT&#38;nbsp;
The work of Felix Luque Sánchez in collaboration with Damien Gernay, Vincent Evrard and Iñigo Bilbao, explores how humans conceive their relationship with technology and provide spaces for reflection on current issues such as the development of artificial intelligence and automatism. Using electronic and digital systems of representation, as well as mechatronic sculptures, generative sound scores, live data feeds and algorithmic processes, he creates narratives in which fiction blends with reality, suggesting possible scenarios of a near future and confronting the viewer with her fears and expectations about what machines can do. 
Luque’s installations are configured as autonomous and uncontrollable systems in which each element plays a role in both their functional and visual design. The machines are thus conceived not only in terms of the processes they carry out, but also as objects of aesthetic contemplation. Each artwork is divided into different parts or sections, that can be read as chapters of the same narrative, constitutive elements of a system, or attempts at exploring a single subject. This fragmentation counters the apparent oneness of the piece and the seemingly perfect operation of the machine. Failure and vulnerability are present in the way that these devices are forced to maintain delicate balances, pursue nonsensical dialogues, generate incomplete renderings of reality, and finally express themselves by means of a sound score that results from their own activity and the physical processes involved in it. The artist consciously plays with the contradictory perception of technology as purely functional while at the same time imbued with a mysterious purpose, and the fear that machines may replace humans. Inspired by science fiction, he draws from its aesthetic and conceptual foundations the tools to elaborate speculative narrations and address the spectator using preconceptions about technology in popular culture. The outcome is a series of artworks that fascinate by their technical elegance and intriguing opacity, at the same time attracting and distancing themselves from the viewer".
Text by Pau Waelder&#38;nbsp; &#38;nbsp;

EXHIBITIONS UPCOMING :
2026&#38;nbsp;Solo Show.	La Société Automatique. LABoral. Gijón. Spain
2026 Mimesis. Bois Mort as part of Damien Gernay’s retrospective. CID Grand-Hornu. Mons.Belgique.
PAST :2026 Augure et Frémissements. Centre Wallonie-Bruxelles. Paris. France.

2026  L'Ososphère. Strasbourg. France.&#38;nbsp;2025&#38;nbsp;Solo Show.	La Société Automatique. iMAL. Brussels. Belgium2025		Creative Machine. Wanlin Art Museum. Wuhan. China
2024		Creative Machine. Taikang Art Museum (TAM). Beijing. China

2024: Memory Lane. Overflow gallery. Liège. Belgium2023. Fragments. Fiber Festival. Amsterdam. The Netherlands.2023. Máquina Orgánica. teatros del Canal. Madrid. Spain.
2022. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence / Marseille. France2022. Touched by Humankind. KALYON KÜLTÜR. Istanbul. Turkey
2022. TEEN SPIRIT: Adolescence and Contemporary Art. BPS22. Charleroi. Belgium 2022. Festival ]interstice[. Caen. France&#38;nbsp;2022. Rencontres Internationales Paris/Berlin: Nouveau cinéma et art contemporain. Paris. France /&#38;nbsp;Berlin. Germany2022. Les heures sauvages. Centre Wallonie-Bruxelles. Paris. France.
2022. Máquina Mística. teatros del Canal. Madrid. Spain.
2022. NTAA’22. The Liedts-Meesen Foundation. Gent. Belgium
2021. Solo Show. Verisimilitude. MIMA. Brussels. Belgium.2021. Solo Show. Memory Lane. Centre des arts enghien les bains. Enghien les bains. France
2021. 100%. La Villete. Paris. France.2021. Extractions. A Two Dogs Company. Brussels. Belgium.2021. 25 Arts Seconde.


Centre Wallonie-Bruxelles. Paris. France.

2020. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence. France
2019. D3US EX M4CH1NA. LABoral. Gijón. Spain
2019. Panorama 21. Le Fresnoy. Tourcoing. France
2019. Les Garages Numériques. Brussels. Belgium2019. Experientia!. Château de Lunéville. France2019. Imagining Cities beyong Technology. Songeun Art Space. Seoul. South Korea2019. Signals. CTM. Berlin. Germany2018. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2018. Trondheim biennale for art and technology. Trondheim. Norway 2018. Solo Show. Memory Lane. Fundacion Telefonica Lima. Peru2017. Chroniques.&#38;nbsp;Fondation Vasarely. France2017. Humans being digital. The Lowry. Manchester. U.K2017. Natura Nova. Contemporary Istanbul. Turkey2017. Solo Show. Chapter I: The Discovery. Q10. Charleroi. Belgium&#38;nbsp;2017. Festival ]interstice[. Caen. France2016. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2016. Scopitone. Nantes. France2016. Tendencies - Belgian Art in the Digital Age. Bozar. Brussels. Belgium2016. BIAN 2016. Arsenal Contemporary Art. Montréal. Canada2016. Solo Show. Memory Lane. iMAL. Brussels. Belgium2016. White Circle. Atelier Copens. Art Brussels. Brussels. Belgium2016. 100%. La villette. Paris. France2016. Remote Signals, ARSi maja, Tallinn, Estonia2015. Chapter I: The Discovery. Le Vecteur. Charleroi. Belgium2015. Kikk Festival. Namur. belgium
2015. Surfaces Sensibles. Palais El Abdellia. Tunis.Tunisia2015. Ars Electronica 2015. Linz. Austria2014. Creative Machine. Goldsmith. London. U.K2014. BEAF 2014. Bozar.	Brussels. Belgium2014. BIAN 2014. Musée d’art contemporain de Montréal. Montréal. Canada2014. POPPOSITIONS. Art Fair, Brussels. Belgium2013. Orléanoïde. Musée des Beaux Arts. Orleans. France2013. VIA.Gare St. Sauveur.	Lille. France2013. VIA. Maubeuge.	Maubeuge. France2013. Exit. Maison des Arts de Creteil. Île-de-France. France2012. NTAA. UPDATE IV. The Liedts-Meesen Foundation. Gent.Belgium2011. Futur Variable. BÒLIT Centre d'Art Contemporani. Girona. Spain2011. Paranoïa. Gare St. Sauveur.	Lille. France2011. VIA. Maubeuge.Maubeuge. France2011. Exit. Maison des Arts de Creteil.	Île-de-France. France2011. Nemo 2011. Le Cube. Île-de-France. France2011. Solo Show. Nihil Ex Nihilo. iMAL. Brussels. Belgium2010. Ars Electronica 2010. Ars Electronica Center. Linz. Austria2010. UPDATE III. The Liedts-Meesen Foundation. Gent. Belgium2010. Transmediale 2010. Instituto Cervantes Berlín. Berlin. Germany2009. Solo Show. Chapter I: The Discovery. iMAL. Brussels. Belgium2009. Solo Show. Chapter I: The Discovery. LABoral. 	Gijón. Spain


GRANTS, AWARDS &#38;amp; ART RESIDENCIES
2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France
2012. Winner: New Technological Art Award The Liedts-Meesen Foundation for Nihil Ex Nihilo. Gent. Belgium
2022. 3rd Place: New Technological Art Award The Liedts-Meesen Foundation for Perpétuité I. Gent. Belgium
2022. Jury selection:&#38;nbsp; JMAF: 25rd Japan Media Arts Festival for Perpétuité I. Tokyo. Japan
2010. Honorary Mention: Ars Electronica 2010 for Chapter I: The Discovery. Linz. Austria2010. Nomination: Transmediale 2010 award for Chapter I: The Discovery. Berlin. Germany2010. Nomination: New Technological Art Award The Liedts-Meesen Foundation for Chapter I: The Discovery. Gent. Belgium2010. Award VIDA 13.0. Artistic Production Incentives. Fundación Telefónica.	Madrid. Spain2009-Present. Several production grants (Secteur arts numériques, Fédération Wallonie-Bruxelles)	Brussels. Belgium2008. Oficina de Proyectos 2008. LABoral. Production Grant.	Gijón. Spain2014. Production Grant. Arcadi. France2014. Production Grant. Ministerio de Educación, Cultura y Deporte de España. Spain2002 &#38;amp; 2004. Audiovisual and Musical Grant for Young Creators (I.U.A/Phonos/Metrònom)	Barcelona. Spain2009 &#38;amp; 2014. Artist in Residency at iMAL. Brussels. Belgium
	
 EDUCATION &#38;amp; TEACHING 
- TEACHING &#38;amp; WORK:2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France2014-2018. Digital fabrication and New Media Workshops for art schools: L’ERG (Brussels), la Chambre (Brussels), Le 75 (Brussels), Kask (Gent).2012 - 2018. Manager at iMAL's FabLab. Brussels, Belgium.2002 to 2008. Teaching. Master in Digital Arts (IUA/UPF). Barcelona, Spain2008 - 2012. Software/Electronics for several works by Kirs Verdonck "A Two dogs company". Kaai theater. Brussels. Belgium
- EDUCATION:1994 – 1999.&#38;nbsp; &#38;nbsp;Graduate Anthropology (Social Sciences). U.L.B University. Brussels.	Belgium1999 - 2001. Master in New Media / Digital Arts. Audio visual institute. UPF. Barcelona. Spain

BIBLIOGRAPHY (SELECTION):&#38;nbsp;


Monograph&#38;nbsp;

“Félix Luque Sánchez: Machines &#38;amp; Fictions”. 


Edited by Pau Waelder. with texts by Jussi Parikka &#38;amp; Yigit Soncul, Nadim Samman, Mónica Bello, Iñigo Bilbao Lopategui, Pierre-Yves Desaïve, Pau Waelder. éditions CDA (Centre des Arts). 2021. 224 pages

Other books:
Alive: Synthetic Cells, Feral Robots, Rebellious AI, and the Design of Radical Life.&#38;nbsp;Madeline Schwartzman.&#38;nbsp;Thames &#38;amp; Hudson 2025. 256 pages. (P. 54-55)
Poetics of Encryption: Art and the Technocene. Nadim Samman. Hatje Cantz. 2023. 160 Pages. (P. 56-76)

L’art au-delà du digital. Dominique Moulon. Nouvelles éditions Scala, Paris, 2018. 287 pages. (P. 185-186)


S.F. [ART, SCIENCE &#38;amp; FICTION]. Denis Gielen Laurent Busine. MACS / Musée des Arts Contemporains au Grand-Hornu Fonds. 2013. 272 pages. (P. 25).


︎ Index
</description>
		
	</item>
		
		
	<item>
		<title>LSA_LABoral</title>
				
		<link>https://felixluque.com/LSA_LABoral</link>

		<pubDate>Thu, 04 Feb 2021 10:49:51 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/LSA_LABoral</guid>

		<description>︎ Index

La Société Automatique
Exhibition views at LABoral 
2025.&#38;nbsp;


&#60;img width="2953" height="2362" width_o="2953" height_o="2362" data-src="https://freight.cargo.site/t/original/i/422406e28b604dfd2d6babd3ab5e6c036bbe2a34e6baf85567d0ea749f641924/MEDIA-_8MR2456.jpg" data-mid="252538774" border="0"  src="https://freight.cargo.site/w/1000/i/422406e28b604dfd2d6babd3ab5e6c036bbe2a34e6baf85567d0ea749f641924/MEDIA-_8MR2456.jpg" /&#62;&#60;img width="2953" height="2109" width_o="2953" height_o="2109" data-src="https://freight.cargo.site/t/original/i/59d9852aba68abbaef454ce246c4ed21fa157354ab1706ca784a855e26a83fa8/MEDIA-_8MR2423-P.jpg" data-mid="252538768" border="0"  src="https://freight.cargo.site/w/1000/i/59d9852aba68abbaef454ce246c4ed21fa157354ab1706ca784a855e26a83fa8/MEDIA-_8MR2423-P.jpg" /&#62; 


&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/4202fadb8064aff7b37f570cf140d4741d58477509eab5a14c236647808ea5b7/MEDIA-_8MR2458-P.jpg" data-mid="252539320" border="0"  src="https://freight.cargo.site/w/1000/i/4202fadb8064aff7b37f570cf140d4741d58477509eab5a14c236647808ea5b7/MEDIA-_8MR2458-P.jpg" /&#62;

&#60;img width="2953" height="2109" width_o="2953" height_o="2109" data-src="https://freight.cargo.site/t/original/i/73ca3298300847d9f8325a603398f1bdacd34576cb6249d00910b22d354d7718/MEDIA-_8MR2508-P.jpg" data-mid="252538785" border="0"  src="https://freight.cargo.site/w/1000/i/73ca3298300847d9f8325a603398f1bdacd34576cb6249d00910b22d354d7718/MEDIA-_8MR2508-P.jpg" /&#62;&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/87a238f0b01f3e8741c9bf8e62c6c9f59a67a246c0753da767908fd6db85430d/MEDIA-_8MR2525.jpg" data-mid="252538791" border="0"  src="https://freight.cargo.site/w/1000/i/87a238f0b01f3e8741c9bf8e62c6c9f59a67a246c0753da767908fd6db85430d/MEDIA-_8MR2525.jpg" /&#62;
&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/b0958dd8295e77a73479c45fadf06a3ad833ad8bc159f0df6bb7e4a0f22666a8/MEDIA-_8MR2546.jpg" data-mid="252538797" border="0"  src="https://freight.cargo.site/w/1000/i/b0958dd8295e77a73479c45fadf06a3ad833ad8bc159f0df6bb7e4a0f22666a8/MEDIA-_8MR2546.jpg" /&#62;


&#60;img width="2953" height="2362" width_o="2953" height_o="2362" data-src="https://freight.cargo.site/t/original/i/6c5833628310340b89ab35bc8a77aa87e4b1940c3d1dc315a68dda37f316c250/MEDIA-_8MR2554.jpg" data-mid="252538800" border="0"  src="https://freight.cargo.site/w/1000/i/6c5833628310340b89ab35bc8a77aa87e4b1940c3d1dc315a68dda37f316c250/MEDIA-_8MR2554.jpg" /&#62;
&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/d445ff483d62d9b5c5f6609942a15c1c9a6526d675146850237c7d0a5d0cb397/MEDIA-_8MR2577.jpg" data-mid="252538803" border="0"  src="https://freight.cargo.site/w/1000/i/d445ff483d62d9b5c5f6609942a15c1c9a6526d675146850237c7d0a5d0cb397/MEDIA-_8MR2577.jpg" /&#62;&#60;img width="2953" height="1968" width_o="2953" height_o="1968" data-src="https://freight.cargo.site/t/original/i/e993c0e1024a55434212d2d44901a0e1973fb3bbdf9665043176b4d9862ac2bf/MEDIA-_8MR2648.jpg" data-mid="252538814" border="0"  src="https://freight.cargo.site/w/1000/i/e993c0e1024a55434212d2d44901a0e1973fb3bbdf9665043176b4d9862ac2bf/MEDIA-_8MR2648.jpg" /&#62;&#60;img width="2953" height="1969" width_o="2953" height_o="1969" data-src="https://freight.cargo.site/t/original/i/8e1a35b6291c155c9e59e55668ba55101bbb4f30d32b28e128353def9126b352/MEDIA-_8MR2643.jpg" data-mid="252538813" border="0"  src="https://freight.cargo.site/w/1000/i/8e1a35b6291c155c9e59e55668ba55101bbb4f30d32b28e128353def9126b352/MEDIA-_8MR2643.jpg" /&#62;
&#60;img width="2953" height="1968" width_o="2953" height_o="1968" data-src="https://freight.cargo.site/t/original/i/116ee675e0654b92e3b05d3ceb1575b36899b01a711ffe3e3b90b585a8b051d6/MEDIA-_8MR2617.jpg" data-mid="252538808" border="0"  src="https://freight.cargo.site/w/1000/i/116ee675e0654b92e3b05d3ceb1575b36899b01a711ffe3e3b90b585a8b051d6/MEDIA-_8MR2617.jpg" /&#62;&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/bc355494750597b7ddaea834af77f1978596e132003eef6dfb7f7380b52241a6/MEDIA-_8MR2748-1.jpg" data-mid="252538817" border="0"  src="https://freight.cargo.site/w/1000/i/bc355494750597b7ddaea834af77f1978596e132003eef6dfb7f7380b52241a6/MEDIA-_8MR2748-1.jpg" /&#62;La Société Automatique

“Have we not always had the deep-seated phantasy of a world that would go on without us? The poetic temptation to see the world in our absence, free of any human, all-too- human will?”


— Jean Baudrillard – Why hasn’t everything already disappeared
Industrial robots are designed to perform repetitive tasks with near-perfect precision. They operate without hesitation, exhaustion or loss of concentration. This is the mastery of automation, a synchronised symphony.
From Taylorism to contemporary artificial intelligence, the utopia of automation has become increasingly prevalent. Having already transformed the world of industrial production, it has now taken hold of our thinking, judgement and memory.
This is the age of La Société Automatique (The Automatic Society), the title of a Bernard Stiegler lecture describing the total automation of our lives. All areas of existence are
merging into an invisible network of computations; digital utilitarianism is supplanting human decisions, imposing efficiency-driven logic that reduces our scope for action. Technology is becoming the invisible architect of our lives. An already dystopian present, where education that critically engages with these opaque systems is key in securing the democratic reappropriation of technology.
The exhibition La Société Automatique depicts the anxiety of a post-anthropic world where machines – Sisyphuses devoid of weariness or rebellion – threaten to erase us. A universe of automatons carrying out their self-contained, cyclical work, with no human purpose.


Credits:
Félix Luque Sánchez in collaboration with Iñigo Bilbao, Damien Gernay and Vincent Evrard

Music : Le Motel &#38;amp; Ben BertrandChoreography and performance : Mercedes DassyScenography : Nel Verbeke
La Société Automatique is a co-production by iMAL, LABoral, Europalia and féderation Wallonie Bruxelles (Cellule Arts Numériques)


︎ Index


</description>
		
	</item>
		
		
	<item>
		<title>LSA_iMAL</title>
				
		<link>https://felixluque.com/LSA_iMAL</link>

		<pubDate>Thu, 24 Sep 2026 12:53:53 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/LSA_iMAL</guid>

		<description>︎ Index

La Société Automatique
Exhibition views at iMAL
2025
&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/b36578a8ab4b40e118ddeda8b4b689754ebd7eee3eeedd387af78b6eef6c6d2f/Felix-Luque-IMAL-2025_IMG_6368.jpg" data-mid="252546512" border="0"  src="https://freight.cargo.site/w/1000/i/b36578a8ab4b40e118ddeda8b4b689754ebd7eee3eeedd387af78b6eef6c6d2f/Felix-Luque-IMAL-2025_IMG_6368.jpg" /&#62;
&#60;img width="5264" height="7893" width_o="5264" height_o="7893" data-src="https://freight.cargo.site/t/original/i/557acb28649366980bb2d1dd24d7cc0949d76493e9bb66c1b5aaa74446d92363/Felix-Luque-IMAL-2025_-2500.jpg" data-mid="252546493" border="0"  src="https://freight.cargo.site/w/1000/i/557acb28649366980bb2d1dd24d7cc0949d76493e9bb66c1b5aaa74446d92363/Felix-Luque-IMAL-2025_-2500.jpg" /&#62;&#60;img width="8056" height="5373" width_o="8056" height_o="5373" data-src="https://freight.cargo.site/t/original/i/35c8a159b8c2bead72243ee1f2630c749af3bf94a64d85d6383a0d13884f0b56/Felix-Luque-IMAL-2025_-2511.jpg" data-mid="252546494" border="0"  src="https://freight.cargo.site/w/1000/i/35c8a159b8c2bead72243ee1f2630c749af3bf94a64d85d6383a0d13884f0b56/Felix-Luque-IMAL-2025_-2511.jpg" /&#62;&#60;img width="8067" height="5380" width_o="8067" height_o="5380" data-src="https://freight.cargo.site/t/original/i/19e50448cc11af0c088b5f44c8d102f7ddb664f54573592885deec5a6029b0d6/Felix-Luque-IMAL-2025_-2653.jpg" data-mid="252546498" border="0"  src="https://freight.cargo.site/w/1000/i/19e50448cc11af0c088b5f44c8d102f7ddb664f54573592885deec5a6029b0d6/Felix-Luque-IMAL-2025_-2653.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/26bae3b902b17a710327ff03f68f7a6fa17cdad1ce6d6453a2fe909c117beb39/Felix-Luque-IMAL-2025_-2664.jpg" data-mid="252546499" border="0"  src="https://freight.cargo.site/w/1000/i/26bae3b902b17a710327ff03f68f7a6fa17cdad1ce6d6453a2fe909c117beb39/Felix-Luque-IMAL-2025_-2664.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/561bc39f7620a5c422d900ef2de20c48f4f66e53e4b4b654b908b486c6120ddb/Felix-Luque-IMAL-2025_-2671.jpg" data-mid="252546501" border="0"  src="https://freight.cargo.site/w/1000/i/561bc39f7620a5c422d900ef2de20c48f4f66e53e4b4b654b908b486c6120ddb/Felix-Luque-IMAL-2025_-2671.jpg" /&#62;&#60;img width="8025" height="5352" width_o="8025" height_o="5352" data-src="https://freight.cargo.site/t/original/i/f8f4f61788aa5ebdb92283f14d88b4f51b8a0349b4dd574f720588269185beb2/Felix-Luque-IMAL-2025_-2681.jpg" data-mid="252546502" border="0"  src="https://freight.cargo.site/w/1000/i/f8f4f61788aa5ebdb92283f14d88b4f51b8a0349b4dd574f720588269185beb2/Felix-Luque-IMAL-2025_-2681.jpg" /&#62;&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/49f66c41b43d5e62e5b921eda2dcad0ab5578dcfa8516c7149b4bb7de35f1b62/Felix-Luque-IMAL-2025_-2792.jpg" data-mid="252546508" border="0"  src="https://freight.cargo.site/w/1000/i/49f66c41b43d5e62e5b921eda2dcad0ab5578dcfa8516c7149b4bb7de35f1b62/Felix-Luque-IMAL-2025_-2792.jpg" /&#62;&#60;img width="8016" height="5347" width_o="8016" height_o="5347" data-src="https://freight.cargo.site/t/original/i/53e78f9dcbce0e4b51c96b0fce5b2942b6c3d5961debcafbf98cbdcaa8022320/Felix-Luque-IMAL-2025_-2445.jpg" data-mid="252546490" border="0"  src="https://freight.cargo.site/w/1000/i/53e78f9dcbce0e4b51c96b0fce5b2942b6c3d5961debcafbf98cbdcaa8022320/Felix-Luque-IMAL-2025_-2445.jpg" /&#62;
&#60;img width="7966" height="5313" width_o="7966" height_o="5313" data-src="https://freight.cargo.site/t/original/i/cad2d04db00f42fa7aaefad42f5fe844c201538f047a59aae8f03a8f0bba99a4/Felix-Luque-IMAL-2025_-2453.jpg" data-mid="252546491" border="0"  src="https://freight.cargo.site/w/1000/i/cad2d04db00f42fa7aaefad42f5fe844c201538f047a59aae8f03a8f0bba99a4/Felix-Luque-IMAL-2025_-2453.jpg" /&#62;&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/5a2e11927f62405840c1d751ddf28f3f4f5b9fd0389ac06f0805409113d07539/Felix-Luque-IMAL-2025_-2824.jpg" data-mid="252546510" border="0"  src="https://freight.cargo.site/w/1000/i/5a2e11927f62405840c1d751ddf28f3f4f5b9fd0389ac06f0805409113d07539/Felix-Luque-IMAL-2025_-2824.jpg" /&#62;&#60;img width="8016" height="5347" width_o="8016" height_o="5347" data-src="https://freight.cargo.site/t/original/i/53e78f9dcbce0e4b51c96b0fce5b2942b6c3d5961debcafbf98cbdcaa8022320/Felix-Luque-IMAL-2025_-2445.jpg" data-mid="252546490" border="0"  src="https://freight.cargo.site/w/1000/i/53e78f9dcbce0e4b51c96b0fce5b2942b6c3d5961debcafbf98cbdcaa8022320/Felix-Luque-IMAL-2025_-2445.jpg" /&#62;
&#60;img width="7966" height="5313" width_o="7966" height_o="5313" data-src="https://freight.cargo.site/t/original/i/cad2d04db00f42fa7aaefad42f5fe844c201538f047a59aae8f03a8f0bba99a4/Felix-Luque-IMAL-2025_-2453.jpg" data-mid="252546491" border="0"  src="https://freight.cargo.site/w/1000/i/cad2d04db00f42fa7aaefad42f5fe844c201538f047a59aae8f03a8f0bba99a4/Felix-Luque-IMAL-2025_-2453.jpg" /&#62;

La Société Automatique

“Have we not always had the deep-seated phantasy of a world that would go on without us? The poetic temptation to see the world in our absence, free of any human, all-too- human will?”


— Jean Baudrillard – Why hasn’t everything already disappeared
Industrial robots are designed to perform repetitive tasks with near-perfect precision. They operate without hesitation, exhaustion or loss of concentration. This is the mastery of automation, a synchronised symphony.
From Taylorism to contemporary artificial intelligence, the utopia of automation has become increasingly prevalent. Having already transformed the world of industrial production, it has now taken hold of our thinking, judgement and memory.
This is the age of La Société Automatique (The Automatic Society), the title of a Bernard Stiegler lecture describing the total automation of our lives. All areas of existence are
merging into an invisible network of computations; digital utilitarianism is supplanting human decisions, imposing efficiency-driven logic that reduces our scope for action. Technology is becoming the invisible architect of our lives. An already dystopian present, where education that critically engages with these opaque systems is key in securing the democratic reappropriation of technology.
The exhibition La Société Automatique depicts the anxiety of a post-anthropic world where machines – Sisyphuses devoid of weariness or rebellion – threaten to erase us. A universe of automatons carrying out their self-contained, cyclical work, with no human purpose.


Credits:

Félix Luque Sánchez in collaboration with Iñigo Bilbao, Damien Gernay and Vincent Evrard


Music : Le Motel &#38;amp; Ben BertrandChoreography and performance : Mercedes DassyScenography : Nel Verbeke
La Société Automatique is a co-production by iMAL, LABoral, Europalia and féderation Wallonie Bruxelles (Cellule Arts Numériques)


︎ Index


</description>
		
	</item>
		
		
	<item>
		<title>Assembled</title>
				
		<link>https://felixluque.com/Assembled</link>

		<pubDate>Fri, 27 Mar 2026 09:51:18 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Assembled</guid>

		<description>︎ Index
Assembled in ChinaAI video sculpture2025&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/10cff23b6be53be37fb12210eb280bd9fc91121e4141633fb5b3f8f18a4d3363/Felix-Luque-IMAL-2025_-2480.jpg" data-mid="246566710" border="0"  src="https://freight.cargo.site/w/1000/i/10cff23b6be53be37fb12210eb280bd9fc91121e4141633fb5b3f8f18a4d3363/Felix-Luque-IMAL-2025_-2480.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/690cdc09d45c9685e4ab58ef25c27562244deaf250d9b1bedb72b9d7fc287ea6/Felix-Luque-IMAL-2025_-2430.jpg" data-mid="246566705" border="0"  src="https://freight.cargo.site/w/1000/i/690cdc09d45c9685e4ab58ef25c27562244deaf250d9b1bedb72b9d7fc287ea6/Felix-Luque-IMAL-2025_-2430.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/8e21548f7d481482aea97d7b05b444020cde10c1f71d0d4f23395fcaf4a6684c/Felix-Luque-IMAL-2025_-2504.jpg" data-mid="246566711" border="0"  src="https://freight.cargo.site/w/1000/i/8e21548f7d481482aea97d7b05b444020cde10c1f71d0d4f23395fcaf4a6684c/Felix-Luque-IMAL-2025_-2504.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f6e5b1134ee62283a1e33b396c7bc52b079323937b8f49f6e54eb003d3cd7cc0/07_01_1920x1080.png" data-mid="246566714" border="0"  src="https://freight.cargo.site/w/1000/i/f6e5b1134ee62283a1e33b396c7bc52b079323937b8f49f6e54eb003d3cd7cc0/07_01_1920x1080.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/87998e6e20ac100e8b82e8a6828fa6449805c94ee9aa90137c80148cf08f55e9/24_06_1920x1080.png" data-mid="246566715" border="0"  src="https://freight.cargo.site/w/1000/i/87998e6e20ac100e8b82e8a6828fa6449805c94ee9aa90137c80148cf08f55e9/24_06_1920x1080.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d14f0dd57f69cf43f58e6bcd6a32ef29b60334e0432f563830135a24efaf32f9/34_casco_01_1920x1080.png" data-mid="246566719" border="0"  src="https://freight.cargo.site/w/1000/i/d14f0dd57f69cf43f58e6bcd6a32ef29b60334e0432f563830135a24efaf32f9/34_casco_01_1920x1080.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c1ab464b12a756c083dd92b1c739fd2433e8bca68ea45435a6d4debaae327130/16_11_1920x1080.png" data-mid="246566768" border="0"  src="https://freight.cargo.site/w/1000/i/c1ab464b12a756c083dd92b1c739fd2433e8bca68ea45435a6d4debaae327130/16_11_1920x1080.png" /&#62;

Assembled in China is part of our solo exhibition: La Société Automatique.

From industrial production to contemporary artificial intelligence, total automation remains a fantasy. Behind it still remains an essential, largely obscured and often exploited workforce.

The Chinese workers depicted in this AI video-sculpture embody the working conditions hidden behind the products consumed in the West. Captured in close-up during moments of silent waiting, they express a discreet discomfort.

Although these hidden workers appear to finally be brought to light, the images merely show us copies generated by artificial intelligence tools. They thus seem inexorably condemned to invisibility, always on the verge of being replaced by technology.

CreditsAssembled in China by Félix Luque in collaboration with Iñigo BilbaoAI Videos: Iñigo BilbaoTechnic: animations generated by AI models, metal structure, screens, multimedia players.
Assembled in China is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.
︎ Index


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		<title>Flora</title>
				
		<link>https://felixluque.com/Flora</link>

		<pubDate>Fri, 27 Mar 2026 09:28:30 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/Flora</guid>

		<description>︎ Index
FloraAudiovisual installation2025
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/73a59d6c9997b00573f0216a60ca0a5dd53683b702f53ebbf35543ef03540b70/FLORA_3.jpg" data-mid="246566419" border="0"  src="https://freight.cargo.site/w/1000/i/73a59d6c9997b00573f0216a60ca0a5dd53683b702f53ebbf35543ef03540b70/FLORA_3.jpg" /&#62;
&#60;img width="8067" height="5380" width_o="8067" height_o="5380" data-src="https://freight.cargo.site/t/original/i/86d1087ba19d8e3f29cb89e382d459e0959615f834588f0bb04704e560fbb06d/Felix-Luque-IMAL-2025_-2653.jpg" data-mid="246566440" border="0"  src="https://freight.cargo.site/w/1000/i/86d1087ba19d8e3f29cb89e382d459e0959615f834588f0bb04704e560fbb06d/Felix-Luque-IMAL-2025_-2653.jpg" /&#62;

Flora is part of our solo exhibition: La Société Automatique.

An intimate portrait of a 14-year-old girl, this slow continuous shot reveals the micro-movements of her face and the intense concentration of her gaze as she watches the endless flow of content on TikTok.
Composed entirely from the sounds of Flora's TikTok feed, the soundtrack by Le Motel immerses the audience in this hypnotic universe. In the Automatic Society sketched by Bernard Stiegler, the logic of automation infiltrates every aspect of life. The attention economy is probably its most powerful and visible manifestation.
Its workforce is an army of volunteer creators who exploit themselves in order to win the favour of an arbitrary algorithm that pours out content into our endless scrolls. Every interaction is analysed to optimise user addiction and amass as much data as possible, which platforms can then extract value from.

CreditsFlora by Félix Luque in collaboration with Nicolas Torres Correia and Le motelCast: Flora Luque TruffinDirector: Félix Luque Sánchez&#38;amp; Nicolas TorresDOP: François RolandOriginal soundtrack using Flora’s tiktok feed: Le MotelColour grading: Xavier Dockx&#38;nbsp;Technic: Film projection, iPhone, Flora's TikTok feed.
Flora is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.
︎ Index


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		<title>simondon</title>
				
		<link>https://felixluque.com/simondon</link>

		<pubDate>Fri, 27 Mar 2026 10:06:48 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/simondon</guid>

		<description>︎ Index
Le rêve de SimondonSeries of 8 printed digital photographs2025
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/42fa61c80774bf72a1cf600515d39ce90fd226177bd5454134d79fdca1ab5cd5/Felix-Luque-IMAL-2025_-2664.jpg" data-mid="246567612" border="0"  src="https://freight.cargo.site/w/1000/i/42fa61c80774bf72a1cf600515d39ce90fd226177bd5454134d79fdca1ab5cd5/Felix-Luque-IMAL-2025_-2664.jpg" /&#62;
&#60;img width="7558" height="11336" width_o="7558" height_o="11336" data-src="https://freight.cargo.site/t/original/i/04644cc483c083e0b682c502f57761e56b119059689284e45c99649f77c2fd8f/2VPair_2A-high-fidelity-v2-2x.jpg" data-mid="246567609" border="0"  src="https://freight.cargo.site/w/1000/i/04644cc483c083e0b682c502f57761e56b119059689284e45c99649f77c2fd8f/2VPair_2A-high-fidelity-v2-2x.jpg" /&#62;&#60;img width="7680" height="11520" width_o="7680" height_o="11520" data-src="https://freight.cargo.site/t/original/i/b1ca30aeeb3cdf38fc76286d506265132531a347c0c307e397bb000856e9ca74/2VPair_2B-high-fidelity-v2-2x.jpg" data-mid="246567610" border="0"  src="https://freight.cargo.site/w/1000/i/b1ca30aeeb3cdf38fc76286d506265132531a347c0c307e397bb000856e9ca74/2VPair_2B-high-fidelity-v2-2x.jpg" /&#62;Le rêve de Simondon is part of our solo exhibition: La Société Automatique.
Are these photos of teenagers carrying out car manufacturing tasks real or staged? What Félix is really trying to do here is question what these images could mean in the age of the automated society.

The work is named after the philosopher Gilbert Simondon (1924–1989), who advocated for the democratisation of technical knowledge. He believed that this pedagogy was essential in order to counteract the alienation from technical objects born of our ignorance of how they work and are produced.

With a certain irony, Félix confronts Simondon's ideas with a world in which contemporary technical objects are deliberately designed as black boxes.&#60;img width="7680" height="11520" width_o="7680" height_o="11520" data-src="https://freight.cargo.site/t/original/i/aa6f92c16a5009406b65a0ae12c4c7342ae5570abb022662b525b37b3bde2cea/2VPair_1A-high-fidelity-v2-2x.jpg" data-mid="246567457" border="0"  src="https://freight.cargo.site/w/1000/i/aa6f92c16a5009406b65a0ae12c4c7342ae5570abb022662b525b37b3bde2cea/2VPair_1A-high-fidelity-v2-2x.jpg" /&#62;


Credits
Le rêve de Simondon by Félix Luque
Technic: Series of 8 digital photographs printed on paper.
“T-Slot” and “Le rêve de Simondon” were produced and created during a workshop at Lycée Émulation Dieppoise, at the invitation of Centre photographique Rouen Normandie. 
Félix extends his warmest thanks to the teachers and students who participated in this endeavour.Le rêve de Simondon is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.

︎ Index


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		<title>T-Slot</title>
				
		<link>https://felixluque.com/T-Slot</link>

		<pubDate>Fri, 27 Mar 2026 10:18:17 +0000</pubDate>

		<dc:creator>Felix Luque Sanchez</dc:creator>

		<guid isPermaLink="true">https://felixluque.com/T-Slot</guid>

		<description>︎ Index
T-SLOTMetal sculptures2025

&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/4324dd7c303afe05250b0d0ec90640506aab05b95810513613577f77182f6e1e/Felix-Luque-IMAL-2025_-2471.jpg" data-mid="246567630" border="0"  src="https://freight.cargo.site/w/1000/i/4324dd7c303afe05250b0d0ec90640506aab05b95810513613577f77182f6e1e/Felix-Luque-IMAL-2025_-2471.jpg" /&#62;
&#60;img width="8051" height="5370" width_o="8051" height_o="5370" data-src="https://freight.cargo.site/t/original/i/8faf08b875c233078d2569f696dd4f03fa570c0035418fd6f2f44911a49aae90/Felix-Luque-IMAL-2025_-2466.jpg" data-mid="246567632" border="0"  src="https://freight.cargo.site/w/1000/i/8faf08b875c233078d2569f696dd4f03fa570c0035418fd6f2f44911a49aae90/Felix-Luque-IMAL-2025_-2466.jpg" /&#62;
&#60;img width="5394" height="8088" width_o="5394" height_o="8088" data-src="https://freight.cargo.site/t/original/i/4bb23657c749462f520ff21ae8a847fbc0d7b990b8de10ebda2f8a69bf7469fc/Felix-Luque-IMAL-2025_-2458.jpg" data-mid="246567631" border="0"  src="https://freight.cargo.site/w/1000/i/4bb23657c749462f520ff21ae8a847fbc0d7b990b8de10ebda2f8a69bf7469fc/Felix-Luque-IMAL-2025_-2458.jpg" /&#62;&#60;img width="8016" height="5347" width_o="8016" height_o="5347" data-src="https://freight.cargo.site/t/original/i/b616a21c5c662e79b330282c2a0b0c4c00b4c16d4a1e91cb9d4fb987edcb8b25/Felix-Luque-IMAL-2025_-2445.jpg" data-mid="246567635" border="0"  src="https://freight.cargo.site/w/1000/i/b616a21c5c662e79b330282c2a0b0c4c00b4c16d4a1e91cb9d4fb987edcb8b25/Felix-Luque-IMAL-2025_-2445.jpg" /&#62;

T-Slot is part of our solo exhibition: La Société Automatique.
In robotised factories, the T-slot is an essential structural component. These metal profiles are used to mount sensors, lightweight robotic arms, conveyors, guards or panels, and facilitate the adjustment or reconfiguration of production lines.

The artist repurposes this industrial element into a giant sculpture that both fills and reflects the space. On the wall, a series of panels presents variations of T-profiles, arranged as a language of formal possibilities.

CreditsT-Slot by Félix Luque

Technic: Cut, bent and welded stainless steel. Mirror finish polishing. 50x50x200 cm. Images of a automated factory printed on fabric. Plasma-cut steel and car body paint. -
“T-Slot” and “Le rêve de Simondon” were produced and created during a workshop at Lycée Émulation Dieppoise, at the invitation of Centre photographique Rouen Normandie. Félix extends his warmest thanks to the teachers and students who participated in this endeavour.
T-SLOT is part of “La Société Automatique” a coproduction of&#38;nbsp; Fédération Wallonie-Bruxelles (secteur arts numériques),&#38;nbsp; LABoral, Europalia Espagne and iMAL.

︎ Index


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