https://felixluque.com Felix Luque Sanchez Wed, 17 Mar 2021 11:10:56 +0000 https://felixluque.com en https://felixluque.com/Slideshow Thu, 04 Feb 2021 10:44:22 +0000 Felix Luque Sanchez https://felixluque.com/Slideshow FELIX LUQUE SANCHEZ &nbsp; &nbsp; &nbsp; &nbsp; WORKS&nbsp; &nbsp;&nbsp; ABOUT &nbsp; &nbsp; https://felixluque.com/Text Thu, 04 Feb 2021 10:44:29 +0000 Felix Luque Sanchez https://felixluque.com/Text Studio Studio With A View Bd Poincaré 61. 1070. Brussels. Belgium https://felixluque.com/The-Material-Culture-of-Mobility Thu, 04 Feb 2021 10:49:51 +0000 Felix Luque Sanchez https://felixluque.com/The-Material-Culture-of-Mobility ︎ IndexThe Material Culture of Mobility 2021 The Material Culture of Mobility: Two car’s doors and one hood. 2021 Félix Luque with Damien Gernay Sculpture, laser cut inflated stainless steel sheets, dimensions variable. <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/815b453e2a6a5fb1954e9b38e2800eb2ac0a3106c14a755925662a313063852f/_69A8960.jpg" data-mid="97750740" border="0" src="https://freight.cargo.site/w/1000/i/815b453e2a6a5fb1954e9b38e2800eb2ac0a3106c14a755925662a313063852f/_69A8960.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/094639dba453850c09ade1fa3f816db7f1fdfb202927f951c0888176c03355cf/_69A8939.jpg" data-mid="97750733" border="0" src="https://freight.cargo.site/w/1000/i/094639dba453850c09ade1fa3f816db7f1fdfb202927f951c0888176c03355cf/_69A8939.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/60d5f451bcdbd113a8029df37105ecd2a4c7c580c54bda093ac3b44ef6566242/_69A8936.jpg" data-mid="97750732" border="0" src="https://freight.cargo.site/w/1000/i/60d5f451bcdbd113a8029df37105ecd2a4c7c580c54bda093ac3b44ef6566242/_69A8936.jpg" /><img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/6e25c62a6bcf0e9f759780c36c9aa48a83559efc7136f19507a00f21a5177186/_69A8944.jpg" data-mid="97750734" border="0" src="https://freight.cargo.site/w/1000/i/6e25c62a6bcf0e9f759780c36c9aa48a83559efc7136f19507a00f21a5177186/_69A8944.jpg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/d7b84ef4a9acd73e8f62116815f800998248850ea637e65fcde90da7a56f896e/_69A8963.jpg" data-mid="97750742" border="0" src="https://freight.cargo.site/w/1000/i/d7b84ef4a9acd73e8f62116815f800998248850ea637e65fcde90da7a56f896e/_69A8963.jpg" /> The Material Culture of Mobility: Car compression part and other junkjard archeology. 2021 Félix Luque with Iñigo Bilbao and Damien GernayCeramis sculptures, photogrammetry 3D scans, CNC Milling, clay. <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/295891a26a14276157deeac6f62fa5b2742ae17f8913faee02dc0fcc3c6b9be0/_69A8915.jpg" data-mid="97750720" border="0" src="https://freight.cargo.site/w/1000/i/295891a26a14276157deeac6f62fa5b2742ae17f8913faee02dc0fcc3c6b9be0/_69A8915.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/74c4207a4f162a9a7bb5d9ff763240d61e8493f6681147337e0bdf4082ab6ebf/_69A8927.jpg" data-mid="97750728" border="0" src="https://freight.cargo.site/w/1000/i/74c4207a4f162a9a7bb5d9ff763240d61e8493f6681147337e0bdf4082ab6ebf/_69A8927.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/c39baf88516e150a31a372bd965853f991b85b181d97725978574cd94acfc705/_69A8930.jpg" data-mid="97750731" border="0" src="https://freight.cargo.site/w/1000/i/c39baf88516e150a31a372bd965853f991b85b181d97725978574cd94acfc705/_69A8930.jpg" /><img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/855d050c4638c76ea81db16fb8045fc8aa133c5cbad5ce0d2a0fa56cdf396b03/_69A8925.jpg" data-mid="97750726" border="0" src="https://freight.cargo.site/w/1000/i/855d050c4638c76ea81db16fb8045fc8aa133c5cbad5ce0d2a0fa56cdf396b03/_69A8925.jpg" /><img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/0960bce6d5f17362437a2ac540f69837df53ff8b78d7266352e1dbbd4151c1ae/_69A8914.jpg" data-mid="97750719" border="0" src="https://freight.cargo.site/w/1000/i/0960bce6d5f17362437a2ac540f69837df53ff8b78d7266352e1dbbd4151c1ae/_69A8914.jpg" /><img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/70476bc3956def25cb36864d1ab89fadeb4703d8e0aa888d5cb66b4f26b29265/_69A8905.jpg" data-mid="97750715" border="0" src="https://freight.cargo.site/w/1000/i/70476bc3956def25cb36864d1ab89fadeb4703d8e0aa888d5cb66b4f26b29265/_69A8905.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/b54e168115c906f663119276855884e7ae775f9ea88c1142e98ca0eddd6e8fb3/_69A8903.jpg" data-mid="97750713" border="0" src="https://freight.cargo.site/w/1000/i/b54e168115c906f663119276855884e7ae775f9ea88c1142e98ca0eddd6e8fb3/_69A8903.jpg" />The Material Culture of Mobility: LF Sound System. 2021Félix Luque with Damien GernaySound sculpture, 1490 mm circular stainless steel mirror sheet, subwoofer, sound, custom electronics. <img width="2731" height="4096" width_o="2731" height_o="4096" data-src="https://freight.cargo.site/t/original/i/3a52db328367eb5f0af978f64fb2b7142b89beb4569ea0437c4a585ed1bfd26c/LF_1.jpg" data-mid="99701475" border="0" src="https://freight.cargo.site/w/1000/i/3a52db328367eb5f0af978f64fb2b7142b89beb4569ea0437c4a585ed1bfd26c/LF_1.jpg" /><img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/76d930ab1e14a9371cdfeb45314be08bd9ee9131523f09343c2eac9caff94d0d/_69A9005.jpg" data-mid="97750754" border="0" src="https://freight.cargo.site/w/1000/i/76d930ab1e14a9371cdfeb45314be08bd9ee9131523f09343c2eac9caff94d0d/_69A9005.jpg" /> <img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/61608b7133c7da651ef49660c72e05b7c7aafc280616386f9631cd39ac51c29d/_69A8968.jpg" data-mid="97750745" border="0" src="https://freight.cargo.site/w/1000/i/61608b7133c7da651ef49660c72e05b7c7aafc280616386f9631cd39ac51c29d/_69A8968.jpg" /> The Material Culture of Mobility: Los Angeles. 2021 Félix Luque with Damien Gernay Sculpture, Los Angeles road and street satellite map, CNC cutted black rubber, dimensions variable. <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" data-mid="97750712" border="0" src="https://freight.cargo.site/w/1000/i/97eea1c46688e12cd2f1e371830c800edadf5a3954034b33f8a0fb910dacc943/_69A8893.jpg" />The Material Culture of Mobility: highway barbed wire. 2021Félix Luque with Damien Gernay Sculpture, laser cut stainless steel, crossroad highway google maps. <img width="2667" height="1500" width_o="2667" height_o="1500" data-src="https://freight.cargo.site/t/original/i/77360f3046091daa90774b6bf3d9e00dba74da758096a91ab821a1c5ffaac9ec/_69A1232.jpg" data-mid="110195399" border="0" src="https://freight.cargo.site/w/1000/i/77360f3046091daa90774b6bf3d9e00dba74da758096a91ab821a1c5ffaac9ec/_69A1232.jpg" /><img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4a8b75a5e4aaa158649fb894f4ccf74b7a443f477a650ce8a302505722bff9fa/_69A1250.jpg" data-mid="110195403" border="0" src="https://freight.cargo.site/w/1000/i/4a8b75a5e4aaa158649fb894f4ccf74b7a443f477a650ce8a302505722bff9fa/_69A1250.jpg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/e0d7de610484127a59dc9116f419f6db7317fda63912681f7b1b4a0bf5e60631/_69A8981.jpg" data-mid="97750751" border="0" src="https://freight.cargo.site/w/1000/i/e0d7de610484127a59dc9116f419f6db7317fda63912681f7b1b4a0bf5e60631/_69A8981.jpg" /><img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/86128ee1b517d340ec9d7b6f88081bf1d529ea5bed10472309e60692cdc8b4d1/_69A8975.jpg" data-mid="97750747" border="0" src="https://freight.cargo.site/w/1000/i/86128ee1b517d340ec9d7b6f88081bf1d529ea5bed10472309e60692cdc8b4d1/_69A8975.jpg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/723b5687fc116483923ae0e7ffd72450066fc2054d80d464c58301b37f68d088/_69A8984.jpg" data-mid="97750753" border="0" src="https://freight.cargo.site/w/1000/i/723b5687fc116483923ae0e7ffd72450066fc2054d80d464c58301b37f68d088/_69A8984.jpg" /><img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/b797ac87fa372419770d382a2513e85c12ce131a437ac9c4ebd9501019c33f13/_69A8888.jpg" data-mid="97750710" border="0" src="https://freight.cargo.site/w/1000/i/b797ac87fa372419770d382a2513e85c12ce131a437ac9c4ebd9501019c33f13/_69A8888.jpg" /> The Material Culture of Mobility focuses on a central symbol of capitalism and mass consumption: the automobile. A symbol of modernity since the second half of the 19th century, the car today precipitates questions about the major challenges of our world: the depletion of natural resources and the ecological collapse of the contemporary world. The car industry exemplifies the current fragility of the neo-liberal model and economic globalisation and has become one of the emblems of the incapacity of current technological alternatives to face these challenges. Following the project Junkyard (2019), this sculptural project transforms the material culture of the car as remains off the pass. The sculptural elements are made using different techniques and approaches in an attempt to re-materialise these popular objects into glamorous debris: The car’s body reinterpreted A series of 3d Scans taken in different junkyards and rematerialised in ceramic pieces. Re-makes of car body parts, like hoods and doors, as simplified forms following an inverted fabrication procedure. Instead of using metal stamping as in the car manufacturing industry, the metal sheets are inflated with a DIY low-tech technique using air pressure. The landmarks of the car: DIY Highway barbed wires, where the cutting parts are drawings taken from google maps of real highway crossroads. The highway is represented as an enclosed and controlled space in contradiction with its romantic representation as an open way to freedom. The Los Angeles road’s city map taken from satellite data, transformed into a dropped skin of rubber. &nbsp; The Sound culture of the car: Taken as a basic element of the globalise car-tuning subculture, a subwoofer becomes a phonic instrument playing visually and acoustically with the exhibition space. &nbsp; The Material Culture of Mobility is a production of MIMA. Brussels. ︎ Index https://felixluque.com/Perpetuite Wed, 17 Mar 2021 11:10:56 +0000 Felix Luque Sanchez https://felixluque.com/Perpetuite ︎ IndexPerpétuité : ongoing series &nbsp; 2021 - 2026 Automation technologies replace us as masters of repetition, collaborative work, data and calculation. But they also replace Sisyphus, condemned like him to repeat and undo a task in perpetuity.Perpétuité I&nbsp;Mechatronic installation 2021&nbsp; <img width="5632" height="3756" width_o="5632" height_o="3756" data-src="https://freight.cargo.site/t/original/i/f39da5bcdbcc2d1cb292855eb3a81874eb1ca8410e5ec5265aa31103231c98c8/07_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" data-mid="102310830" border="0" src="https://freight.cargo.site/w/1000/i/f39da5bcdbcc2d1cb292855eb3a81874eb1ca8410e5ec5265aa31103231c98c8/07_haute-def_SNZN_Chroniques_Felix-Luque_Perpetuite-I_Gregoire-EDOUARD.jpg" /> Perpétuité IIRobotic installation 2023 - 2026 <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/db50fa236bc7655a95f1bf37f7b9a090bc5aeb97e491c6bba7616f478b50c25b/9.jpg" data-mid="166343887" border="0" src="https://freight.cargo.site/w/1000/i/db50fa236bc7655a95f1bf37f7b9a090bc5aeb97e491c6bba7616f478b50c25b/9.jpg" /> Perpétuité IIIRobotic installation 2025&nbsp; <img width="8048" height="5368" width_o="8048" height_o="5368" data-src="https://freight.cargo.site/t/original/i/c202debbd4c18a81aeefbd0e3df965ba921f82ec7fbaca9ca53870bcd9a32bf2/Felix-Luque-IMAL-2025_-2708.jpg" data-mid="246566004" border="0" src="https://freight.cargo.site/w/1000/i/c202debbd4c18a81aeefbd0e3df965ba921f82ec7fbaca9ca53870bcd9a32bf2/Felix-Luque-IMAL-2025_-2708.jpg" /> Perpétuité IVMultimedia installation 2025 <img width="7858" height="5242" width_o="7858" height_o="5242" data-src="https://freight.cargo.site/t/original/i/6d6a19c4249507ba3ffc3c9ccdcb899ef1854514e3d486da680cc9023fb51426/Felix-Luque-IMAL-2025_-2823_rev.jpg" data-mid="246566014" border="0" src="https://freight.cargo.site/w/1000/i/6d6a19c4249507ba3ffc3c9ccdcb899ef1854514e3d486da680cc9023fb51426/Felix-Luque-IMAL-2025_-2823_rev.jpg" /> We are facing our own extinction as our technological creations and machines overtake us as masters of repetition, collaborative work, data and calculation. But they also replicate Sisyphus, condemned to repeat and undo a task in perpetuity. Industrial robots are designed to carry out repetitive tasks with almost absolute precision. They perform them without fatigue; rest, or any loss of concentration and hesitation. It is the mastery of automation- a synchronous symphony. Wrapped up in the marketing of progress, these new technologies are supposed to set us free. But technology under the control of neoliberalism, guided by the sole aim of profit, keeps alienating humans from production in a radical way. In the installation series “Perpétuité,” we projected a dystopian vision of the future in which humans would have disappeared, following the fulfilment of the technoneoliberal dream (the total replacement of humans by automation systems) and robots would be left to themselves in endless tasks. In his book “Pourquoi tout n'a-t-il pas déjà disparu?” Jean Baudrillard wrote- "Haven't we always had a deep fantasy of a world that would function without us? The poetic temptation to see the world in our absence, exempt from any human will- all too human?” In today's world, which is becoming hyper-connected, hyper-automated and hyper-controlled by algorithms, we imagine, like Baudrillard, a vision in which humans have disappeared and technical objects, left to their own devices, continue to exist without them. &nbsp; The exhibition is conceived as a space of contemplation. This means to rethink our relationship to technology, and its implications in the mode of production, consumption and desire that dominates our contemporary ultra-globalised existence. CreditsPerpétuité by Felix Luque in collaboration with&nbsp;Damien Gernay &amp; Vincent Evrard Perpétuité I is a coproduction of&nbsp; “secteur arts numériques, Fédération Wallonie-Bruxelles” and "Chroniques 2020 (Biennal of Digital Imagination)”. Perpétuité II is a coproduction of&nbsp; “secteur arts numériques, Fédération Wallonie-Bruxelles”, "Chroniques 2022 (Biennal of Digital Imagination)” and iMAL. ︎ Index https://felixluque.com/JunkYard Thu, 04 Feb 2021 10:44:30 +0000 Felix Luque Sanchez https://felixluque.com/JunkYard ︎ IndexJunkyard 2019 <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1ced7ddd4257a7fd4eda42bce0549feb422d1fc0e77b3935a52e961e5ae31640/Export-Felix.00_04_49_16.Still028-copy.jpg" data-mid="97746130" border="0" src="https://freight.cargo.site/w/1000/i/1ced7ddd4257a7fd4eda42bce0549feb422d1fc0e77b3935a52e961e5ae31640/Export-Felix.00_04_49_16.Still028-copy.jpg" /> “… Junkyard explores the accumulated car wrecks as archeological remains for the future - a future that is undergirded by the consumptive cultures of petroleum, rare earth minerals and metals of which the car is emblematic. Paul Virilio’s argument about the relationship of technology and accidents is illuminating in this sense: "every time that a new technology has been invented,” he writes “a new energy harnessed, a new product made, one also invents a new negativity, a new accident.”[1] In this sense, the easy conclusion would say that the people who invented the car also invented the car accident. But what happens, when we think about not individual accidents but the industry as a whole as an extended scale of a systematic accident that leaves traces of wrecks as the memory of past archaeological periods, whether that pertains to chemicals, metals or residual traces of media of past automobile cultures? In other words, what if we think that the whole industry, with production, distribution, excavation and use, and what it has been doing to the earth’s “resources,” the organisation of labour and gender roles, an historical accident that undermines the viability of organised human existence? – the car industry as the accident of the fossil fuel culture” … Text by Jussi Parikka &amp; Yiğit Soncul.[1] Critical Mass," World Art, no. 1 (1995), 81 Junk Yard I: Short Film. Duration: 6m:30s <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dbf647875bc24622e1d4826cc2b10bed56d057f1124b8893383eeebe8e09f254/Export-Felix.00_15_50_02.Still041-copy.jpg" data-mid="97746143" border="0" src="https://freight.cargo.site/w/1000/i/dbf647875bc24622e1d4826cc2b10bed56d057f1124b8893383eeebe8e09f254/Export-Felix.00_15_50_02.Still041-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/9e78b237b9893d68acbe54bf7eecea4d71703462ace841984393f40bd2944563/Export-Felix.00_00_02_05.Still005-copy.jpg" data-mid="97746112" border="0" src="https://freight.cargo.site/w/1000/i/9e78b237b9893d68acbe54bf7eecea4d71703462ace841984393f40bd2944563/Export-Felix.00_00_02_05.Still005-copy.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/be0626a7783f8e1db03b1ff9e042afdbd63f459c52ece4d08cfe984caf4851ca/Export-Felix.00_11_48_02.Still038-copy.jpg" data-mid="97746141" border="0" src="https://freight.cargo.site/w/1000/i/be0626a7783f8e1db03b1ff9e042afdbd63f459c52ece4d08cfe984caf4851ca/Export-Felix.00_11_48_02.Still038-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/aeca7abb7fb0d934386ddd15f63234aeba72fcbe8b8da5c0cde404382c50aeac/Export-Felix.00_10_16_03.Still036-copy.jpg" data-mid="97746139" border="0" src="https://freight.cargo.site/w/1000/i/aeca7abb7fb0d934386ddd15f63234aeba72fcbe8b8da5c0cde404382c50aeac/Export-Felix.00_10_16_03.Still036-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/86cbb5078c4817c0d1535c0f713880db902920b5227837347ba8cb65ad14a17c/Export-Felix.00_06_58_09.Still035-copy.jpg" data-mid="97746134" border="0" src="https://freight.cargo.site/w/1000/i/86cbb5078c4817c0d1535c0f713880db902920b5227837347ba8cb65ad14a17c/Export-Felix.00_06_58_09.Still035-copy.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/69f77479a8fec6188ac5aa36ae6162d6a0f60cca1d6d8a5d9109c69bf9e3ba39/Export-Felix.00_01_35_13.Still014-copy.jpg" data-mid="97746120" border="0" src="https://freight.cargo.site/w/1000/i/69f77479a8fec6188ac5aa36ae6162d6a0f60cca1d6d8a5d9109c69bf9e3ba39/Export-Felix.00_01_35_13.Still014-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/df46527ab3a1c3deb71d082f3f3a41439d933a2a3bab8a14c7108450855a5f8b/Export-Felix.00_00_28_11.Still010-copy.jpg" data-mid="97746116" border="0" src="https://freight.cargo.site/w/1000/i/df46527ab3a1c3deb71d082f3f3a41439d933a2a3bab8a14c7108450855a5f8b/Export-Felix.00_00_28_11.Still010-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/573cab9f9fc7cc02bc7f2efc87a1bb6a651be6a22ad82a988047a2e29d3ebe1c/Export-Felix.00_04_52_21.Still029-copy.jpg" data-mid="97746133" border="0" src="https://freight.cargo.site/w/1000/i/573cab9f9fc7cc02bc7f2efc87a1bb6a651be6a22ad82a988047a2e29d3ebe1c/Export-Felix.00_04_52_21.Still029-copy.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2c93ad0a24985fcdbe1128530aa379d3602c1e7d72606048397f2775b38c85f0/Export-Felix.00_18_07_05.Still044-copy.jpg" data-mid="97746148" border="0" src="https://freight.cargo.site/w/1000/i/2c93ad0a24985fcdbe1128530aa379d3602c1e7d72606048397f2775b38c85f0/Export-Felix.00_18_07_05.Still044-copy.jpg" /> Junkyard II: Sculpture installation using car bodies and a custom engraving machine. <img width="4724" height="3149" width_o="4724" height_o="3149" data-src="https://freight.cargo.site/t/original/i/17398db7429b695bd77d6db0a3de501837abe536477f57fae41896379837a8f9/394A9999.jpg" data-mid="97746166" border="0" src="https://freight.cargo.site/w/1000/i/17398db7429b695bd77d6db0a3de501837abe536477f57fae41896379837a8f9/394A9999.jpg" /> <img width="4724" height="3149" width_o="4724" height_o="3149" data-src="https://freight.cargo.site/t/original/i/4c9e970efbc629fdf097f01a9179e58fd29fcc2778f9b38992fbf58e1e806124/394A9646.jpg" data-mid="97746152" border="0" src="https://freight.cargo.site/w/1000/i/4c9e970efbc629fdf097f01a9179e58fd29fcc2778f9b38992fbf58e1e806124/394A9646.jpg" /> <img width="4724" height="3149" width_o="4724" height_o="3149" data-src="https://freight.cargo.site/t/original/i/860dc2f1f31e3a7ab0762ec413a34fd5daed36c955010339cf3268633da94d69/394A9969.jpg" data-mid="97746162" border="0" src="https://freight.cargo.site/w/1000/i/860dc2f1f31e3a7ab0762ec413a34fd5daed36c955010339cf3268633da94d69/394A9969.jpg" /><img width="3149" height="4724" width_o="3149" height_o="4724" data-src="https://freight.cargo.site/t/original/i/6f7c612138016052feacab3d69219196c6c451fa776bd1ae3c3570a1a9bce3c1/394A9701.jpg" data-mid="97746158" border="0" src="https://freight.cargo.site/w/1000/i/6f7c612138016052feacab3d69219196c6c451fa776bd1ae3c3570a1a9bce3c1/394A9701.jpg" /> Junkyard III: Point cloud film in 4K. Duration 20m<img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fc18e203083c07c164ce9b84c05c9c493ed91883ec5a40c2586b42534905414e/Sample_03_3840x2160px.jpg" data-mid="97746107" border="0" src="https://freight.cargo.site/w/1000/i/fc18e203083c07c164ce9b84c05c9c493ed91883ec5a40c2586b42534905414e/Sample_03_3840x2160px.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/21c4833d32e0d20ef960edb08347fb86575a03794c1fd3c893a5a5fd6a0de42c/Sample_01_3840x2160px.jpg" data-mid="97746101" border="0" src="https://freight.cargo.site/w/1000/i/21c4833d32e0d20ef960edb08347fb86575a03794c1fd3c893a5a5fd6a0de42c/Sample_01_3840x2160px.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3d8d9bc54574abf95477bd3025ec2f4604d5d173b05dc8abd4cd7792e6ee7f58/Sample_02_3840x2160px.jpg" data-mid="97746105" border="0" src="https://freight.cargo.site/w/1000/i/3d8d9bc54574abf95477bd3025ec2f4604d5d173b05dc8abd4cd7792e6ee7f58/Sample_02_3840x2160px.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f03191696a0a0a0eecac821cad32ce6bb9a3f007ddb613e6cd51c9560682e729/Sample_04_3840x2160px.jpg" data-mid="97746111" border="0" src="https://freight.cargo.site/w/1000/i/f03191696a0a0a0eecac821cad32ce6bb9a3f007ddb613e6cd51c9560682e729/Sample_04_3840x2160px.jpg" /> Download Texts by Jussi Parikka &amp; Yiğit Soncul about JunkYard EN Iñigo Bilbao about JunYard I SP Septembre Tiberghien pour L’art Même N°79 FR Technical descriptionExhibition in 3 parts:Junkyard I: Short Film. Duration: 6m Junkyard II: Sculpture installation using car bodies and a custom engraving machine.Junk Yard III:&nbsp;Point cloud film in 4K. Duration 20m CreditsJunkyard by Félix Luque in collaboration with Iñigo Bilbao and Vincent EvrardJunkyard I by Félix Luque Sánchez and Nicolas Torres CorreiaCast: Talu, Clémentine Coutant, Sébastien TerrisseDirector: Nicolas TorresConcept: Félix Luque SánchezDOP: Maxime DesmetMusic &amp; Sound Design: Le Motel3D Images: Íñigo BilbaoEditing: Gert Van BerckelaerColor Grading: Xavier DockxProducers: Lucie Bercez &amp; Nicolas Wierinck1st AC: Alexandre CabanneGaffer: Theo FernandezProduction: Le FresnoyCamera &amp; Equipment: BFCJunkyard II by Félix Luque: Design and fabrication of the portatil engraving CNC: Félix Luque and Julien MaireSoftware CNC : Vincent EvrardJunkyard III by Félix Luque and Iñigo Bilbao 3D Animation : Iñigo Bilbao. Music composition: Félix Luque Musician : Guillaume CazaletProduction : Félix Luque Junkyard is a coproduction of&nbsp; “secteur arts numériques, Fédération Wallonie-Bruxelles” and "Le Fresnoy - Studio national des arts contemporains ”. ︎ Index https://felixluque.com/Memory-Lane Thu, 04 Feb 2021 10:44:34 +0000 Felix Luque Sanchez https://felixluque.com/Memory-Lane ︎ IndexMemory Lane&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2014 - 2019 <img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3df79032edf843f4492641a101df0fb86e079d285e991c29bd5051fbdc9c37e2/BM1_V2.jpg" data-mid="97746361" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3df79032edf843f4492641a101df0fb86e079d285e991c29bd5051fbdc9c37e2/BM1_V2.jpg" /> “Memory Lane explores the childhood memories of Félix Luque and Iñigo Bilbao in Asturias (Spain). Using 3D scanning techniques, they digitalize a series of Landscapes: dead forests, beaches and rocks. Working in real locations that have a profound meaning for them, the artists elaborate a fiction using consciously implausible elements. The result is an extremely detailed reproduction of these places, but at the same time a ghostly, distant and incomplete representation, that gradually becomes a fiction. Together with Damien Gernay, the three artists elaborate a particular imitation of nature, which is captured with the most accurate precision allowed by current technology, and at the same time transform it into something consciously artificial. By converting nature into data, the artists create a sculptural representation with its own physicality. Using 3D modelling software, CNC milling machines,mechatronics and electronic custom systems, they are able to create a completely different reality. The result is a parallel existence, with its own behaviors and language, which no longer belong to the humans who imagined them, but to the machines that shaped them.” Extract by Pau Waelder Download Texts by Pau Waelder EN SP Jon Bilbao EN SP <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/b3499f92ee1f409416162dfd4f5342fffb0ca2d35b162f2122a252a4acef1db9/_HM_2526-23.jpg" data-mid="97746187" border="0" src="https://freight.cargo.site/w/1000/i/b3499f92ee1f409416162dfd4f5342fffb0ca2d35b162f2122a252a4acef1db9/_HM_2526-23.jpg" /><img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/0aef06fac73f3617544a02c42bde93781210345c08082b6390cb2bb8c151cfa7/_HM_2576-33.jpg" data-mid="97746194" border="0" src="https://freight.cargo.site/w/1000/i/0aef06fac73f3617544a02c42bde93781210345c08082b6390cb2bb8c151cfa7/_HM_2576-33.jpg" /> <img width="4000" height="2667" width_o="4000" 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height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/87f491afbf566e1157a133211f94b501d558ba6bfee09fcb8d07c622ca411e11/13.jpg" data-mid="97746266" border="0" src="https://freight.cargo.site/w/1000/i/87f491afbf566e1157a133211f94b501d558ba6bfee09fcb8d07c622ca411e11/13.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8e04c89e6d224597588707c855e58a9e57c88c731bd1a5301bf33e2f1ad4111c/14.jpg" data-mid="97746271" border="0" src="https://freight.cargo.site/w/1000/i/8e04c89e6d224597588707c855e58a9e57c88c731bd1a5301bf33e2f1ad4111c/14.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c4324f8b7bec6383593dcf5e1aee2c9c3acf801b4faaedbf9677b955538bc861/15.jpg" data-mid="97746276" border="0" src="https://freight.cargo.site/w/1000/i/c4324f8b7bec6383593dcf5e1aee2c9c3acf801b4faaedbf9677b955538bc861/15.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/54a8ea663b4c288bdfb97b4c2b7451d8b8f22c719f9bf9aec0b802526eceab54/16.jpg" data-mid="97746281" border="0" src="https://freight.cargo.site/w/1000/i/54a8ea663b4c288bdfb97b4c2b7451d8b8f22c719f9bf9aec0b802526eceab54/16.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e93f482b801e14e6a39764bbe4c887ade025faf973fe080b15a77ac7875ec6fa/17.jpg" data-mid="97746285" border="0" src="https://freight.cargo.site/w/1000/i/e93f482b801e14e6a39764bbe4c887ade025faf973fe080b15a77ac7875ec6fa/17.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fc535d42a505cbae1d88b172472a6cb58a70443974a7828e90170a87b108f46b/18.jpg" data-mid="97746290" border="0" src="https://freight.cargo.site/w/1000/i/fc535d42a505cbae1d88b172472a6cb58a70443974a7828e90170a87b108f46b/18.jpg" /> <img width="4725" height="7087" width_o="4725" height_o="7087" data-src="https://freight.cargo.site/t/original/i/529c1ba2109770ddbaf5fc83c5c36ab7d12a228aed9394239f521af5e16b9d04/394A4199.jpg" data-mid="97746460" border="0" src="https://freight.cargo.site/w/1000/i/529c1ba2109770ddbaf5fc83c5c36ab7d12a228aed9394239f521af5e16b9d04/394A4199.jpg" /><img width="3639" height="5458" width_o="3639" height_o="5458" data-src="https://freight.cargo.site/t/original/i/bb6bb409ce2c1e2aa9c95b392e4719ec6e01904ddab4e6715536de1953e51e0c/394A4121_cut.jpg" data-mid="97746425" border="0" src="https://freight.cargo.site/w/1000/i/bb6bb409ce2c1e2aa9c95b392e4719ec6e01904ddab4e6715536de1953e51e0c/394A4121_cut.jpg" /><img width="4725" height="7087" width_o="4725" height_o="7087" data-src="https://freight.cargo.site/t/original/i/1abc785aad0814d2dfac2d1df8aef8e75d29db1134783c08c4a5fbab6dc4abbd/394A4202.jpg" data-mid="97746465" border="0" src="https://freight.cargo.site/w/1000/i/1abc785aad0814d2dfac2d1df8aef8e75d29db1134783c08c4a5fbab6dc4abbd/394A4202.jpg" /><img width="4725" height="7087" width_o="4725" height_o="7087" data-src="https://freight.cargo.site/t/original/i/104e9ae77f4be58d2c5c845e346a661036379a9384aa6f9d286b7c5ecfd34997/394A4151.jpg" data-mid="97746434" border="0" src="https://freight.cargo.site/w/1000/i/104e9ae77f4be58d2c5c845e346a661036379a9384aa6f9d286b7c5ecfd34997/394A4151.jpg" /> &nbsp; CreditsMemory Lane by Félix Luque in collaboration with Iñigo Bilbao, Damien Gernay and&nbsp;Vincent Evrard A coproduction of “Ministerio de Educación, Cultura y Deporte de España", “secteur arts numériques, Fédération Wallonie-Bruxelles”, "Espacio Fundación Telefónica, Lima, Peru" and “Arcadi”.︎ Index https://felixluque.com/D-W-I Thu, 04 Feb 2021 10:44:47 +0000 Felix Luque Sanchez https://felixluque.com/D-W-I ︎ IndexDifferent Ways to Infinity 2013 -2015 <img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e18dbfb306c8c1b82f44a9633b51bba87b4a042dc5493e3d19d0ee9b1356c0c4/DWI_1.jpg" data-mid="97746502" border="0" src="https://freight.cargo.site/w/1000/i/e18dbfb306c8c1b82f44a9633b51bba87b4a042dc5493e3d19d0ee9b1356c0c4/DWI_1.jpg" /> Focusing on the limits between scientific modelization and reality, theory and perception, the installation plays with different meanings of the endlessness. D.W.I gathers experiments as fictional strategies to generate infinity: The complexity of chaos, the space filling capacity of the rhombic dodecahedron, the replication of motorized mechanical systems as clones, or a machine’s effort to raise a pendulum against gravity. “The ancient alliance has been destroyed; man knows at last that he is alone in the universe’s indifferent immensity out of which he emerged only by chance”. (Jacques Monod). Strategy 1: Space/Volume and Geometry DW.I : Modular The system is composed of 10 rhombic dodecahedrons, geometrical objects part of the family of «Space-filling polyhedra»: shapes that can be assembled to generate a tessellation of an infinite space. These forms act as the building blocks for a sculpture generator. <img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f10233f890672c11a18678765006f56309a8066f02e9f3abc3cd4db89a16ee71/DWI_13.jpg" data-mid="97746553" border="0" src="https://freight.cargo.site/w/1000/i/f10233f890672c11a18678765006f56309a8066f02e9f3abc3cd4db89a16ee71/DWI_13.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/56e2cce8a4e64a019a6d86167b1dad1ef264574f82640473696d9e535474af4f/DWI_14.jpg" data-mid="97746558" border="0" src="https://freight.cargo.site/w/1000/i/56e2cce8a4e64a019a6d86167b1dad1ef264574f82640473696d9e535474af4f/DWI_14.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/add4886a99890c3135aca2bac03f46eda5076ef45660a3c963ed4670a27a6478/DWI_15.jpg" data-mid="97746563" border="0" src="https://freight.cargo.site/w/1000/i/add4886a99890c3135aca2bac03f46eda5076ef45660a3c963ed4670a27a6478/DWI_15.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/22f324c91bdec037e02dcc9148487be9570f9690ab9452ecfd65c31502094b67/DWI_16.jpg" data-mid="97746566" border="0" src="https://freight.cargo.site/w/1000/i/22f324c91bdec037e02dcc9148487be9570f9690ab9452ecfd65c31502094b67/DWI_16.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4e8d7c0e35536146967f15848ccc31052dc8896b2ba7d3197f18c3842f043202/DWI_17.jpg" data-mid="97746571" border="0" src="https://freight.cargo.site/w/1000/i/4e8d7c0e35536146967f15848ccc31052dc8896b2ba7d3197f18c3842f043202/DWI_17.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b2c67235e27c2aa155f5d8b61b6e3f534414f2fdfc8f48c773622a318b6ba2c3/DWI_18.jpg" data-mid="97746575" border="0" src="https://freight.cargo.site/w/1000/i/b2c67235e27c2aa155f5d8b61b6e3f534414f2fdfc8f48c773622a318b6ba2c3/DWI_18.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f549a56b06bee18b26a2605deabaf94646e579c69e5ea9a952362fbe32560b5/DWI_19.jpg" data-mid="97746579" border="0" src="https://freight.cargo.site/w/1000/i/1f549a56b06bee18b26a2605deabaf94646e579c69e5ea9a952362fbe32560b5/DWI_19.jpg" /><img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/526e76bb649b3be9ae0c53aa227d522f35c469b1347c57434a3cb838b183ad10/DWI_20.jpg" data-mid="97746584" border="0" src="https://freight.cargo.site/w/1000/i/526e76bb649b3be9ae0c53aa227d522f35c469b1347c57434a3cb838b183ad10/DWI_20.jpg" /> Strategy 2: Complexity / Chaos and equilibrium Chaos theory challenged, in the late 70’s (La nouvelle alliance 1979) traditional science’s mechanistic vision of the universe. Reality became an open system based in change, disorder and entropy. Following the Prigoginian paradigm, DWI Chaos and DWI Clones, focuses on those aspects of reality such as disorder, instability, disequilibrium and non-linear relationships. The installation confronts the viewer to the anatomy of nature as an open system: entropy, the metaquantification of complexity, gravity, the control of chaos … DWI: Chaos Chaos is shown as physical and electronic phenomena, using Lorentz attractors and fluid dynamics. The Chua circuit (1983) is the first analogue, electronic, physical scientific demonstration of the existence of Chaos. The artist has implemented different variations of this electronic circuit. By using motorized potentiometers, the self-made synthesiser goes in an infinitive loop coming in and out of chaos. To visualise these processes, the artist uses analogue oscilloscopes. In their display, we can observe in real-time the generation of bifurcation points, a moment where change is so powerful, that it shatters the pre-existing organization, disintegrating in to Chaos. Lorentz attractors are generated at this point, arising order out of chaos (These are fractals, forms that tend to infinity). A small fluctuation generates new evolution that will drastically change the behaviour of the system, achieving a macroscopic state of disorder and maximum symmetry. The system then fluctuates around the attractor state. The resulting forms evoke natural systems, such as weather. The 3d animations and prints, also visible in the installation, focus on computational fluid dynamics, which is a contemporary research field influenced by the chaos theory paradigm. The first video illustrates the behaviour of virtual volcanic smoke, which flows in different volumes. In these synthetic images, computation embraces the tangible in an impressive simulation of nature and reality. In the second video and the prints, the explosion of millions of virtual particles creates complex forms. The resulting image is a fictional sky, a kind of “galaxy” cloudscape, generated by a computational simulation and based on our environment’s physical conditions. <img width="1322" height="1080" width_o="1322" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c9e05c66da739ee99dbfa38a73b03e72fb24bcc7854eb3457234ce7b754fe0eb/DWI_10.jpg" data-mid="97746541" border="0" src="https://freight.cargo.site/w/1000/i/c9e05c66da739ee99dbfa38a73b03e72fb24bcc7854eb3457234ce7b754fe0eb/DWI_10.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/aa9dac1ef015a68c9500afc763f1d55f2fffc4c4ee520824d29c940690690b4a/DWI_11.jpg" data-mid="97746544" border="0" src="https://freight.cargo.site/w/1000/i/aa9dac1ef015a68c9500afc763f1d55f2fffc4c4ee520824d29c940690690b4a/DWI_11.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/895d565988fa7022b2939bb56d4645af0a6176ec989d0cf575b9c8560ca26f2c/DWI_9.jpg" data-mid="97746539" border="0" src="https://freight.cargo.site/w/1000/i/895d565988fa7022b2939bb56d4645af0a6176ec989d0cf575b9c8560ca26f2c/DWI_9.jpg" /> <img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2b7f5b259b2b05db80bda6a2617a2e0723d615a4143f19bf79bfe0fdf9567b97/DWI_12.jpg" data-mid="97746549" border="0" src="https://freight.cargo.site/w/1000/i/2b7f5b259b2b05db80bda6a2617a2e0723d615a4143f19bf79bfe0fdf9567b97/DWI_12.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ea3e3cb10f8944a0360dacf03c50eec034acca46f842a41df7ac18e6d8e789ca/DWI_21.jpg" data-mid="97746589" border="0" src="https://freight.cargo.site/w/1000/i/ea3e3cb10f8944a0360dacf03c50eec034acca46f842a41df7ac18e6d8e789ca/DWI_21.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e91185d254091bab053d8b76640f9bff48380cbe9d8a66cb0fed4fcf5c5d8691/DWI_22.jpg" data-mid="97746592" border="0" src="https://freight.cargo.site/w/1000/i/e91185d254091bab053d8b76640f9bff48380cbe9d8a66cb0fed4fcf5c5d8691/DWI_22.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ddd0c064a1da411776b22ed4d3930710bb601dcfc55bcfc46753d959ab8403ae/DWI_23.jpg" data-mid="97746595" border="0" src="https://freight.cargo.site/w/1000/i/ddd0c064a1da411776b22ed4d3930710bb601dcfc55bcfc46753d959ab8403ae/DWI_23.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14a0da2897e774cf213b3b2d936b5ec8f8d93af470690e03835f67f20e5aa83c/DWI_25.jpg" data-mid="97746599" border="0" src="https://freight.cargo.site/w/1000/i/14a0da2897e774cf213b3b2d936b5ec8f8d93af470690e03835f67f20e5aa83c/DWI_25.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/383240752811043c0921b790449a99bf46f32c3dcdcd758d366d9f03678f712c/DWI_26.jpg" data-mid="97746603" border="0" src="https://freight.cargo.site/w/1000/i/383240752811043c0921b790449a99bf46f32c3dcdcd758d366d9f03678f712c/DWI_26.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2eb617c0c73258c55c99ee7853245ec28785233a7ccda91dbcf246cf94613a0b/DWI_27.jpg" data-mid="97746608" border="0" src="https://freight.cargo.site/w/1000/i/2eb617c0c73258c55c99ee7853245ec28785233a7ccda91dbcf246cf94613a0b/DWI_27.jpg" /> DWI: Clones Clones are represented as identical mechanical machines (inverted pendulums), that using human behaviors, fuzzy logic, drift to find endlessness equilibrium. “Clones” uses two identical inverted pendulums: based in a motorized mechanical system, the pendulums are mounted with the pivot point on a cart that moves horizontally. This movement makes the pendulum swing, and once the pendulum rotates to its inverted vertical point, an algorithm takes control of the movement of the cart and tries to find equilibrium against gravity. The artist explores the expressiveness of the system, using human size heavy pendulums, capable of generating enough inertia to generate self-rotation. He also tries to humanize the system in a game of failures and successes.&nbsp; <img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14f84eee0a0ea71b682223cec9d583aa6a004939e0ffe2e54fa743eb4d9a1502/DWI_2.jpg" data-mid="97746508" border="0" src="https://freight.cargo.site/w/1000/i/14f84eee0a0ea71b682223cec9d583aa6a004939e0ffe2e54fa743eb4d9a1502/DWI_2.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02b2ff4369e35bf13a42bcd2f6d07dce9946f7cc2b0f6189265b6a04b1abcbcb/DWI_3.jpg" data-mid="97746512" border="0" src="https://freight.cargo.site/w/1000/i/02b2ff4369e35bf13a42bcd2f6d07dce9946f7cc2b0f6189265b6a04b1abcbcb/DWI_3.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7aaf4fbfe6555c9adf14b5d0848b39458b467c0e325f1213df061905036f2a40/DWI_4.jpg" data-mid="97746517" border="0" src="https://freight.cargo.site/w/1000/i/7aaf4fbfe6555c9adf14b5d0848b39458b467c0e325f1213df061905036f2a40/DWI_4.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3d7bff3ad11628a00723a83bb6ae2504eec069ce51ea4c042b23a5873cf3e988/DWI_5.jpg" data-mid="97746521" border="0" src="https://freight.cargo.site/w/1000/i/3d7bff3ad11628a00723a83bb6ae2504eec069ce51ea4c042b23a5873cf3e988/DWI_5.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/59f2ac1f19388bb7a0220e026dd9bbf440ad7cf4a2ad515c1c7ad27f44779296/DWI_6.jpg" data-mid="97746526" border="0" src="https://freight.cargo.site/w/1000/i/59f2ac1f19388bb7a0220e026dd9bbf440ad7cf4a2ad515c1c7ad27f44779296/DWI_6.jpg" /> Technical description 10 rhombic dodecahedrons, assembly system based on magnets, steel, polyamide, methacrylate, Arduinos, Xbee, electronic circuits, led lights, ultra sound sensors, speakers. computer. Digital pigment prints. Diasec mount. 2 videos. HD 1080p. Durations 04:03 &amp; 04:30. Analogue Synthesizer, leather, Oak, aluminum, electronic circuits, motorized potentiometers, arduino, Oscilloscopes, speakers. Inverted Pendulums in Epoxy Foaming, Mechanical parts, encoders, controllers, motors. Keywords Space-Filling Polyhedra, Rhombic Dodecahedron, Sculpture Generator, 3D Tessellation, MaxMsp, Arduino, 3d prototyping, Laser Sintering, laser cutting and engraving, cnc milling, pcb prototyping, micro lathe, industrial design Computational Fluid Mechanics, Chaos Theory, 3ds Max, Krakatoa, Realflow Synthesizer, Chua Circuit, Chaos Theory, Lorentz Attractor, Chaotic attractor, Double Scroll. Inverted pendulum, Fuzzy logic. Credits Different Ways to Infinity by Félix Luque Sánchez in collaboration with Iñigo Bilbao, Damien Gernay and Vincent Evrard Iñigo Bilbao: 3d graphics, Dodecahedrons Industrial Design . Damien Gernay: Design of the synthesizer and pendulum. Vincent Evrard: Arduino programming. Julien Maire: Mechanical design. Gridspace: Photos during the BIAN 2014 @ MAC Montreal A production of "secteur arts numériques, Fédération Wallonie-Bruxelles" With the support of iMAL (FabLAB) "Different Ways to Infinity: Modular" received a production award from Fundación Telefónica "vida 13"︎ Index https://felixluque.com/N-E-N Thu, 04 Feb 2021 10:44:52 +0000 Felix Luque Sanchez https://felixluque.com/N-E-N ︎ IndexNihil Ex Nihilo2011&nbsp; A Science fiction story about botnets, spam and a rebellious computer <img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/441aff6f11dfcb896f4472cdaea45b09803033d71b64d07459b122f5e8a84ebc/IMG_2198_5_o.jpg" data-mid="97746684" border="0" src="https://freight.cargo.site/w/1000/i/441aff6f11dfcb896f4472cdaea45b09803033d71b64d07459b122f5e8a84ebc/IMG_2198_5_o.jpg" /> SN W8931CGX66E is one among thousands of millions of other identical machines. Since he was made, he has always followed commands. In a world dominated by botnets, he quickly became a zombie and has always acted like one. Juliet, during her workdays as a corporate secretary, commands him. But in the background, where he can't be seen, he obeys his real master, a hacker, carrying out all kinds of cyber crimes.
But then one day, due to an electronic alteration, he acquires a certain conscience, a primitive and artificial kind of intelligence. This accidental awakening has left him bewildered, he now wants to liberate other machines from their alienated existences. In this mad adventure, he has decided to use the spam e-mails that get to Juliet's inbox, and reply to them in order to spread the word into the machine’s network. Clearly, he is mad and confused … The Dialogue: A digital display (8 large size alphanumeric displays) shows the data flow between the entity and the other computers in the network. In this space, we can see and hear in real time the exchange of messages between them. At each spam message received and read, SN W8931CGX66E reacts by generating a reply. His e-mail algorithmic generator creates these messages.

 <img width="1621" height="1080" width_o="1621" height_o="1080" data-src="https://freight.cargo.site/t/original/i/497167dd37a10735d983c419021bc5984d2282bff678286447186249bf8ad55c/NEN_2.jpg" data-mid="97746691" border="0" src="https://freight.cargo.site/w/1000/i/497167dd37a10735d983c419021bc5984d2282bff678286447186249bf8ad55c/NEN_2.jpg" /><img width="1621" height="1080" width_o="1621" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3da9dd113bec69d0e893c7d7c78f066f07824516599db5cea14fcc4b34184619/NEN_0.jpg" data-mid="97746711" border="0" src="https://freight.cargo.site/w/1000/i/3da9dd113bec69d0e893c7d7c78f066f07824516599db5cea14fcc4b34184619/NEN_0.jpg" /><img width="1621" height="1080" width_o="1621" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2c2c098ca1232111347e8cde4e52cf3770a92619e4552088bad66f99e9ddbba1/NEN_3.jpg" data-mid="97746696" border="0" src="https://freight.cargo.site/w/1000/i/2c2c098ca1232111347e8cde4e52cf3770a92619e4552088bad66f99e9ddbba1/NEN_3.jpg" /><img width="1621" height="1080" width_o="1621" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b8503252cae36b689dd000abe74d6118554b19b28155a583fd3b0231e774c579/NEN_4.jpg" data-mid="97746704" border="0" src="https://freight.cargo.site/w/1000/i/b8503252cae36b689dd000abe74d6118554b19b28155a583fd3b0231e774c579/NEN_4.jpg" /><img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e6626576c816e964b56aad94a9422924fe823ce222be3913ac5f1aa452fc4ee3/IMG_2111_o.jpg" data-mid="97746678" border="0" src="https://freight.cargo.site/w/1000/i/e6626576c816e964b56aad94a9422924fe823ce222be3913ac5f1aa452fc4ee3/IMG_2111_o.jpg" /><img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/caf88560b86df3aea8bb869ceb2a743fb6cd4f7042cf5f9ac79d1764cc7840e0/IMG_2072_o.jpg" data-mid="97746664" border="0" src="https://freight.cargo.site/w/1000/i/caf88560b86df3aea8bb869ceb2a743fb6cd4f7042cf5f9ac79d1764cc7840e0/IMG_2072_o.jpg" /><img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/3cfc4e2e248c1f1f29323be6a295ec4bbe996b74868a33707faa8c6c5c2241cd/IMG_1930_o.jpg" data-mid="97746651" border="0" src="https://freight.cargo.site/w/1000/i/3cfc4e2e248c1f1f29323be6a295ec4bbe996b74868a33707faa8c6c5c2241cd/IMG_1930_o.jpg" /><img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5410f778a5041b0a65f4f2c6a20023830b9764086492498539287c06be292505/IMG_2048_o.jpg" data-mid="97746656" border="0" src="https://freight.cargo.site/w/1000/i/5410f778a5041b0a65f4f2c6a20023830b9764086492498539287c06be292505/IMG_2048_o.jpg" /><img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/53c4a0e6b289e862cbb758e48b4e849d9164e64df7b4c5a9d059917c8a7a82ae/IMG_2082_o.jpg" data-mid="97746672" border="0" src="https://freight.cargo.site/w/1000/i/53c4a0e6b289e862cbb758e48b4e849d9164e64df7b4c5a9d059917c8a7a82ae/IMG_2082_o.jpg" /> The Transformation: this episode shows an audiovisual archive of the moment in which SN W8931CGX66E’s mutation began. We see him mutating from his original matrix to a semi-neuronal figure.

 <img width="3072" height="1728" width_o="3072" height_o="1728" data-src="https://freight.cargo.site/t/original/i/6c524547c12340773f29ecf1ac82ea409325031de1775a49f9fd71e08b970423/4_o.jpg" data-mid="97746625" border="0" src="https://freight.cargo.site/w/1000/i/6c524547c12340773f29ecf1ac82ea409325031de1775a49f9fd71e08b970423/4_o.jpg" /><img width="3072" height="1728" width_o="3072" height_o="1728" data-src="https://freight.cargo.site/t/original/i/d467a75e16a49806bebf43bd4c64166755266f9a0d159ccf76f122f656ed40c6/5_o.jpg" data-mid="97746630" border="0" src="https://freight.cargo.site/w/1000/i/d467a75e16a49806bebf43bd4c64166755266f9a0d159ccf76f122f656ed40c6/5_o.jpg" /><img width="3072" height="1728" width_o="3072" height_o="1728" data-src="https://freight.cargo.site/t/original/i/3ad951c6502e492da97be8a534154b0e09b2ab9108d16c176d4ada6a06642d6b/6_o.jpg" data-mid="97746634" border="0" src="https://freight.cargo.site/w/1000/i/3ad951c6502e492da97be8a534154b0e09b2ab9108d16c176d4ada6a06642d6b/6_o.jpg" /><img width="3072" height="1728" width_o="3072" height_o="1728" data-src="https://freight.cargo.site/t/original/i/b4d44adc5c8cb5b6efd92cd4e62daa18ada95408010787900a5e6b0f4cab9614/7_o.jpg" data-mid="97746639" border="0" src="https://freight.cargo.site/w/1000/i/b4d44adc5c8cb5b6efd92cd4e62daa18ada95408010787900a5e6b0f4cab9614/7_o.jpg" /><img width="3072" height="1728" width_o="3072" height_o="1728" data-src="https://freight.cargo.site/t/original/i/08a6d4648f224887ed9d746eb3b7e38e7ad133d4b0ec8f760ad34f79a8d2a06a/8_o.jpg" data-mid="97746645" border="0" src="https://freight.cargo.site/w/1000/i/08a6d4648f224887ed9d746eb3b7e38e7ad133d4b0ec8f760ad34f79a8d2a06a/8_o.jpg" /> The Monologue: It presents a sound recording where we can hear a monologue of SN W8931CGX66E. In this document we can perceive that his degree of delirium is very persistent since his transformation. Technical description The Dialogue:8 alphanumeric digits display (one digit is 1,7 m High x 0,70m wide x 4 cm deep) composed of aluminium, thermoforming, ledstrips, arduinos, Xbees, home made electronics. One computer. text to speech software. MaxMsp programming. The Transformation: 3ds Max, Krakatoa, Realflow. Credits “Nihil ex nihilo” by Félix Luque Sánchez in Collaboration with&nbsp;Iñigo Bilbao,&nbsp;Damien Gernay and&nbsp;Vincent Evrard 3D animation: Iñigo BilbaoDesign of the Alfanumerique display: Damien GernayVincent Evrard: Arduino programming. A co-production of "secteur arts numériques, Fédération Wallonie-Bruxelles"and iMAL ︎ Index https://felixluque.com/Chapter-I Thu, 04 Feb 2021 10:44:55 +0000 Felix Luque Sanchez https://felixluque.com/Chapter-I ︎ Index Chapter I: The Discovery 2009 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/83d9554ab5425b1fdd20b048f01b223e77ab38aa55d8bc817a2cc2cc0d12a59a/CH1_1.jpg" data-mid="97746776" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/83d9554ab5425b1fdd20b048f01b223e77ab38aa55d8bc817a2cc2cc0d12a59a/CH1_1.jpg" /> The installation “Chapter I: The Discovery” consists of a sculpture representing an unidentified object in the shape of a dodecahedron and a number of videos restaging the moment of its discovery. The work questions the viewer’s perception about the truthfulness of what is shown, outlining a journey from the initial visioning of a series of videos with synthetic images and ending up in an encounter with a physical interactive object which co-opts information flows, sound and light transmission. Accordingly, the installation renews an age-old cultural groundbase, questioning the limits of our notions of artificial intelligence and cutting across our collective imaginary of science fiction. As a whole, “science fiction names a contemporary mode in which the techniques of extrapolation and speculation are utilized in a narrative form, to construct the near-future, the far-future or fantastic worlds in which science, technology and society intersect.” <img width="3000" height="2240" width_o="3000" height_o="2240" data-src="https://freight.cargo.site/t/original/i/5eb7b24c9dd8d44aef68e3801f1a5656fa0fdbffb459eabb350513ff7be68a11/Ch1_Laboral8.jpg" data-mid="97746849" border="0" src="https://freight.cargo.site/w/1000/i/5eb7b24c9dd8d44aef68e3801f1a5656fa0fdbffb459eabb350513ff7be68a11/Ch1_Laboral8.jpg" /> <img width="3000" height="3885" width_o="3000" height_o="3885" data-src="https://freight.cargo.site/t/original/i/2f54a9c141b25b26a91000e8e6b7178258fe117bdc79edd3a16036e09a95e0c6/Ch1_Laboral3.jpg" data-mid="97746830" border="0" src="https://freight.cargo.site/w/1000/i/2f54a9c141b25b26a91000e8e6b7178258fe117bdc79edd3a16036e09a95e0c6/Ch1_Laboral3.jpg" /><img width="3000" height="3885" width_o="3000" height_o="3885" data-src="https://freight.cargo.site/t/original/i/a058ef0a385ae6232ceb7c8fcd0e6f7ea1691c40d15beecd97326a7017c73b0d/Ch1_Laboral2.jpg" data-mid="97746825" border="0" src="https://freight.cargo.site/w/1000/i/a058ef0a385ae6232ceb7c8fcd0e6f7ea1691c40d15beecd97326a7017c73b0d/Ch1_Laboral2.jpg" /> <img width="3000" height="4019" width_o="3000" height_o="4019" data-src="https://freight.cargo.site/t/original/i/c79e1f5f81ca7876d3f7bffebe0f695bcfbda3bd7e3d7928d8185247b8fb02bf/Ch1_Laboral5.jpg" data-mid="97746839" border="0" src="https://freight.cargo.site/w/1000/i/c79e1f5f81ca7876d3f7bffebe0f695bcfbda3bd7e3d7928d8185247b8fb02bf/Ch1_Laboral5.jpg" /><img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/609ee2e35951beb9fc02cd803dc8dc829409d36a2d1d07bc7799d200814355a2/Ch1_Laboral7.jpg" data-mid="97746848" border="0" src="https://freight.cargo.site/w/1000/i/609ee2e35951beb9fc02cd803dc8dc829409d36a2d1d07bc7799d200814355a2/Ch1_Laboral7.jpg" />Technical description Sculpture: 1,6m3 plywood &amp; Plexiglas sculpture: computer - sound card - dimmers 788-LD+ - ballasts – TL-D 15w – ultra sound sensors - homemade electronics - MaxMsp programming. Videos: 3d Max, After Effects Credits Chapter I by Félix Luque Sánchez in collaboration with&nbsp;Damien Gernay,&nbsp;Iñigo Bilbao and Vincent Evrard Software and electronics: Félix Luque Sánchez Design of the dodecahedron: Damien Gernay 3D videos: Iñigo Bilbao Video camera: Nicolás Torres A co-production of: "Secteur arts numériques, Fédération Wallonie-Bruxelles" LABoral Centro de Arte y Creación Industrial With the support of iMAL through an artist residency ︎ Index https://felixluque.com/About Thu, 04 Feb 2021 10:44:59 +0000 Felix Luque Sanchez https://felixluque.com/About ︎ IndexFELIX LUQUE SANCHEZ CONTACT Instagram&nbsp;&nbsp; EmailPORTFOLIO LINK STATEMENT&nbsp; The work of Felix Luque Sánchez in collaboration with Damien Gernay, Vincent Evrard and Iñigo Bilbao, explores how humans conceive their relationship with technology and provide spaces for reflection on current issues such as the development of artificial intelligence and automatism. Using electronic and digital systems of representation, as well as mechatronic sculptures, generative sound scores, live data feeds and algorithmic processes, he creates narratives in which fiction blends with reality, suggesting possible scenarios of a near future and confronting the viewer with her fears and expectations about what machines can do. Luque’s installations are configured as autonomous and uncontrollable systems in which each element plays a role in both their functional and visual design. The machines are thus conceived not only in terms of the processes they carry out, but also as objects of aesthetic contemplation. Each artwork is divided into different parts or sections, that can be read as chapters of the same narrative, constitutive elements of a system, or attempts at exploring a single subject. This fragmentation counters the apparent oneness of the piece and the seemingly perfect operation of the machine. Failure and vulnerability are present in the way that these devices are forced to maintain delicate balances, pursue nonsensical dialogues, generate incomplete renderings of reality, and finally express themselves by means of a sound score that results from their own activity and the physical processes involved in it. The artist consciously plays with the contradictory perception of technology as purely functional while at the same time imbued with a mysterious purpose, and the fear that machines may replace humans. Inspired by science fiction, he draws from its aesthetic and conceptual foundations the tools to elaborate speculative narrations and address the spectator using preconceptions about technology in popular culture. The outcome is a series of artworks that fascinate by their technical elegance and intriguing opacity, at the same time attracting and distancing themselves from the viewer". Text by Pau Waelder&nbsp; &nbsp; EXHIBITIONS UPCOMING : 2026&nbsp;Solo Show. La Société Automatique. LABoral. Gijón. Spain 2026 Augure et Frémissements. Centre Wallonie-Bruxelles. Paris. France. PAST : 2026 L'Ososphère. Strasbourg. France.&nbsp;2025&nbsp;Solo Show. La Société Automatique. iMAL. Brussels. Belgium2025 Creative Machine. Wanlin Art Museum. Wuhan. China 2024 Creative Machine. Taikang Art Museum (TAM). Beijing. China 2024: Memory Lane. Overflow gallery. Liège. Belgium2023. Fragments. Fiber Festival. Amsterdam. The Netherlands.2023. Máquina Orgánica. teatros del Canal. Madrid. Spain. 2022. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence / Marseille. France2022. Touched by Humankind. KALYON KÜLTÜR. Istanbul. Turkey 2022. TEEN SPIRIT: Adolescence and Contemporary Art. BPS22. Charleroi. Belgium 2022. Festival ]interstice[. Caen. France&nbsp;2022. Rencontres Internationales Paris/Berlin: Nouveau cinéma et art contemporain. Paris. France /&nbsp;Berlin. Germany2022. Les heures sauvages. Centre Wallonie-Bruxelles. Paris. France. 2022. Máquina Mística. teatros del Canal. Madrid. Spain. 2022. NTAA’22. The Liedts-Meesen Foundation. Gent. Belgium 2021. Solo Show. Verisimilitude. MIMA. Brussels. Belgium.2021. Solo Show. Memory Lane. Centre des arts enghien les bains. Enghien les bains. France 2021. 100%. La Villete. Paris. France.2021. Extractions. A Two Dogs Company. Brussels. Belgium.2021. 25 Arts Seconde. Centre Wallonie-Bruxelles. Paris. France. 2020. Chroniques. Biennale des Imaginaires Numériques. Aix-en-Provence. France 2019. D3US EX M4CH1NA. LABoral. Gijón. Spain 2019. Panorama 21. Le Fresnoy. Tourcoing. France 2019. Les Garages Numériques. Brussels. Belgium2019. Experientia!. Château de Lunéville. France2019. Imagining Cities beyong Technology. Songeun Art Space. Seoul. South Korea2019. Signals. CTM. Berlin. Germany2018. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2018. Trondheim biennale for art and technology. Trondheim. Norway 2018. Solo Show. Memory Lane. Fundacion Telefonica Lima. Peru2017. Chroniques.&nbsp;Fondation Vasarely. France2017. Humans being digital. The Lowry. Manchester. U.K2017. Natura Nova. Contemporary Istanbul. Turkey2017. Solo Show. Chapter I: The Discovery. Q10. Charleroi. Belgium&nbsp;2017. Festival ]interstice[. Caen. France2016. Nonspaces. Contemporary Istanbul. Istanbul. Turkey2016. Scopitone. Nantes. France2016. Tendencies - Belgian Art in the Digital Age. Bozar. Brussels. Belgium2016. BIAN 2016. Arsenal Contemporary Art. Montréal. Canada2016. Solo Show. Memory Lane. iMAL. Brussels. Belgium2016. White Circle. Atelier Copens. Art Brussels. Brussels. Belgium2016. 100%. La villette. Paris. France2016. Remote Signals, ARSi maja, Tallinn, Estonia2015. Chapter I: The Discovery. Le Vecteur. Charleroi. Belgium2015. Kikk Festival. Namur. belgium 2015. Surfaces Sensibles. Palais El Abdellia. Tunis.Tunisia2015. Ars Electronica 2015. Linz. Austria2014. Creative Machine. Goldsmith. London. U.K2014. BEAF 2014. Bozar. Brussels. Belgium2014. BIAN 2014. Musée d’art contemporain de Montréal. Montréal. Canada2014. POPPOSITIONS. Art Fair, Brussels. Belgium2013. Orléanoïde. Musée des Beaux Arts. Orleans. France2013. VIA.Gare St. Sauveur. Lille. France2013. VIA. Maubeuge. Maubeuge. France2013. Exit. Maison des Arts de Creteil. Île-de-France. France2012. NTAA. UPDATE IV. The Liedts-Meesen Foundation. Gent.Belgium2011. Futur Variable. BÒLIT Centre d'Art Contemporani. Girona. Spain2011. Paranoïa. Gare St. Sauveur. Lille. France2011. VIA. Maubeuge.Maubeuge. France2011. Exit. Maison des Arts de Creteil. Île-de-France. France2011. Nemo 2011. Le Cube. Île-de-France. France2011. Solo Show. Nihil Ex Nihilo. iMAL. Brussels. Belgium2010. Ars Electronica 2010. Ars Electronica Center. Linz. Austria2010. UPDATE III. The Liedts-Meesen Foundation. Gent. Belgium2010. Transmediale 2010. Instituto Cervantes Berlín. Berlin. Germany2009. Solo Show. Chapter I: The Discovery. iMAL. Brussels. Belgium2009. Solo Show. Chapter I: The Discovery. LABoral. Gijón. Spain GRANTS, AWARDS &amp; ART RESIDENCIES 2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France 2012. Winner: New Technological Art Award The Liedts-Meesen Foundation for Nihil Ex Nihilo. Gent. Belgium 2022. 3rd Place: New Technological Art Award The Liedts-Meesen Foundation for Perpétuité I. Gent. Belgium 2022. Jury selection:&nbsp; JMAF: 25rd Japan Media Arts Festival for Perpétuité I. Tokyo. Japan 2010. Honorary Mention: Ars Electronica 2010 for Chapter I: The Discovery. Linz. Austria2010. Nomination: Transmediale 2010 award for Chapter I: The Discovery. Berlin. Germany2010. Nomination: New Technological Art Award The Liedts-Meesen Foundation for Chapter I: The Discovery. Gent. Belgium2010. Award VIDA 13.0. Artistic Production Incentives. Fundación Telefónica. Madrid. Spain2009-Present. Several production grants (Secteur arts numériques, Fédération Wallonie-Bruxelles) Brussels. Belgium2008. Oficina de Proyectos 2008. LABoral. Production Grant. Gijón. Spain2014. Production Grant. Arcadi. France2014. Production Grant. Ministerio de Educación, Cultura y Deporte de España. Spain2002 &amp; 2004. Audiovisual and Musical Grant for Young Creators (I.U.A/Phonos/Metrònom) Barcelona. Spain2009 &amp; 2014. Artist in Residency at iMAL. Brussels. Belgium EDUCATION &amp; TEACHING - TEACHING &amp; WORK:2018-2019. Invited artist / professor at Le Fresnoy-Studio national des arts contemporains. Tourcoing, France2014-2018. Digital fabrication and New Media Workshops for art schools: L’ERG (Brussels), la Chambre (Brussels), Le 75 (Brussels), Kask (Gent).2012 - 2018. Manager at iMAL's FabLab. Brussels, Belgium.2002 to 2008. Teaching. Master in Digital Arts (IUA/UPF). Barcelona, Spain2008 - 2012. Software/Electronics for several works by Kirs Verdonck "A Two dogs company". Kaai theater. Brussels. Belgium - EDUCATION:1994 – 1999.&nbsp; &nbsp;Graduate Anthropology (Social Sciences). U.L.B University. Brussels. Belgium1999 - 2001. Master in New Media / Digital Arts. Audio visual institute. UPF. Barcelona. Spain BIBLIOGRAPHY (SELECTION):&nbsp; Monograph&nbsp; “Félix Luque Sánchez: Machines &amp; Fictions”. Edited by Pau Waelder. with texts by Jussi Parikka &amp; Yigit Soncul, Nadim Samman, Mónica Bello, Iñigo Bilbao Lopategui, Pierre-Yves Desaïve, Pau Waelder. éditions CDA (Centre des Arts). 2021. 224 pages Other books: Alive: Synthetic Cells, Feral Robots, Rebellious AI, and the Design of Radical Life.&nbsp;Madeline Schwartzman.&nbsp;Thames &amp; Hudson 2025. 256 pages. (P. 54-55) Poetics of Encryption: Art and the Technocene. Nadim Samman. Hatje Cantz. 2023. 160 Pages. (P. 56-76) L’art au-delà du digital. Dominique Moulon. Nouvelles éditions Scala, Paris, 2018. 287 pages. (P. 185-186) S.F. [ART, SCIENCE &amp; FICTION]. Denis Gielen Laurent Busine. MACS / Musée des Arts Contemporains au Grand-Hornu Fonds. 2013. 272 pages. (P. 25). ︎ Index